Ideal for advanced choirs, your singers will enjoy the challenge of new harmonies while singing this very familiar tune. A wonderful choice for dedication services, Earth Day, or any general service or

American Triptych presents aspects of spiritual experience as expressed by three North American poets: Americans E. E. Cummings and W. S. Merwin, and Canadian Bliss Carman. The first movement, i thank

American Triptych presents aspects of spiritual experience as expressed by three North American poets: Americans E. E. Cummings and W. S. Merwin, and Canadian Bliss Carman. The third movement, Mariner's

Appropriate for All Saints, Easter or general use, this choral reflection on Revelation 21:1-4 has two versions: cello and piano; and violin, cello, and organ. Affirming and lovely.

Inspired by the sights and sounds of nature in Latin America, the composer reminisces about childhood memories in this festive a cappella arrangement. The text is brought to life by Argentinian folkloric

Ao bao Xiang Hui means "Let us meet at the ceremonial mound." The erhu or violin presents the folk song complete with traditional ornamentation and deliberately marked by tone chimes. The

This piece explores the theme of hope through a rich homophonic texture, contrasted with a brief solo section in which individual voices punctuate a dissonant background swirling with brief melodies. Rising

This piece from the set Madrigals for the Seasons conjures up vivid images of autumn: the fading of summer flowers, the colors of the leaves, the browning of the fields. The musical setting is

A plaintive unaccompanied setting that captures the essence of the "Ave maris stella" text, this work is a rewarding challenge for advanced ensembles.

This setting illustrates a modern yet straightforward setting of a well-known communion text. Voice parts are divided at times and the sopranos have a few places that are challenging tessitura. The interior

Chancel choirs will find light work in this rich and lilting setting of Romans 10:14-15 featuring a soaring flute, soprano solo, and deliberate repetition of the word "beautiful."

Winner of True Concord's 2019 Stephen Paulus Emerging Composers Competition, this piece sets text by William Shakespeare in an a cappella arrangement.

In this original choral setting of the spiritual Rockin' Jerusalem, the bells are intended to imitate the sounds of gunshots in a rallying cry for justice. The intensity and depth of this

Written for the Choir of the Church of the Advent in Boston, Massachusetts, this piece was composed for the wedding of John Sterling Lambert and Susan Tighlman Bisson at the Advent on October 12, 2002. The

Gerald Near has set a sublime text by John Donne, providing restrained, elegant music that responds to the text with lyricism, mixed meter, and thoughtful dissonance. The organ part nicely supports the SATB

Giovanni Gabrieli, an Italian composer and organist, was one of the most influential musicians of his time, representing the culmination of the Venetian School. This setting of Psalm 98 is scored for double

From Peter Hilliard comes this dynamic musical offering on a text by 17th-century Welsh metaphysical poet Henry Vaughan. A simple melody is embellished throughout to underscore images from the text, and a

Presenting a message of inclusivity and acceptance, this delicate piece was given new life by a performance from music activist and conductor Alexander Lloyd Blake's award-winning ensemble, Tonality.

Winner of the 2017 California Choral Directors Association George Heussenstamm Choral Composition Contest at the Episcopal Conference Center Oakhurst (ECCO) Summer Conference, this setting of a popular

If there was ever a piece that describes a text in song, this is it. Sara Teasdale's descriptive words about the clouds become sound in this exquisite composition.  Accompanied by piano and celesta, a

A well-known text by George Herbert combined with a sensitive choral setting, this piece includes lovely harmonies in a beautiful selection for advanced ensembles.