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Here's an invigorating cross-cultural number that will make everyone want to dance! It's a joyful Israeli dance song, incorporating the popular round, Toembai. With Hebrew text, lots of "tra la la
Sizzling with celebratory rhythmic energy, this Zambian folk song loosely translates as: "Those who sing have the right to be called the children of God." The only accompanying instruments are hand drum
Twenty-three familiar holiday songs in three minutes! For extra fun, you can involve your audience in counting the tunes as they fly by. Your students can even hold up numbered signs every time a different
Commissioned for a premiere performance at the Texas Music Educators Association 2000 convention, Joseph Martin's Come to the Music is alive and electric with driving rhythm, memorable melodies,
This very cool original is a masterpiece of vocal layering, a "sound experience" for a cappella voices as bells. All voices sing together in the middle section before returning to vocalized bell effects.
From the Broadway show "Wicked," a take on "The Wizard of Oz" from the witches' point of view, this is a tender, expressive ballad with touching lyrics:"Like a comet pulled from orbit as it passes a sun.
Copland's sparkling, lighthearted folk song setting is available in a variety of voicings that makes the humorous children's song accessible to any choir. The short solos and comical animal sounds are
"I dream a world where man no other man will scorn, where love will bless the earth and peace its paths adorn..." The introspective and contemplative lyrics of the great African-American poet Langston
A profoundly moving text, written on a cellar wall during the rise of Nazi Germany, joins with original music to create a deeply emotional expression of hope for all mankind. With brief narration and the
Available in several voicings, Niska Banja is a Serbian Roma dance popular throughout the Balkans. To Central Europeans, the 9/8 rhythm of 2-2-2-3 is as natural as a 4/4 rock beat is in North
"Ah, weary wee flipperling, curl at thy ease! The storm shall not wake thee, nor shark overtake thee, asleep in the arms of the slow-swinging seas..." This charming poem by Rudyard Kipling is the
Copland's treatment of this classic Shaker melody reintroduced the tune to an entire century of Americans. Set here for mixed, treble, or tenor-bass choirs and piano, it retains all the characteristic
This traditional canoe song from Polynesia sounds very impressive with handclaps and percussion instruments adding to the choral texture. The echoing voice parts suggest people communicating from canoe to
This amazingly creative arrangement opens with a traditional setting of Deck the Hall which develops into a humorous collection of Fa-La-La variations, including musical moments from
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