Colorful choral sonorities emerge over a steady "heartbeat" piano part in this contemporary treatment of the traditional Latin text. Expansive texture and close harmonies contrast a rhythmic chant section
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With uplifting student-written lyrics, this pop-style original encourages young people to embrace their ability to effect change. A strong contemporary groove, multiple solo opportunities, and accessible
Sweeping choral lines combine with a moving text in this impassioned call for justice and peace. The beautifully constructed piano accompaniment and stately obbligato for French horn create a supporting
An expressive piano introduction leads to the verse, then the accompaniment rises and falls with the well-known refrain of this popular classic from "The Wizard of Oz." Beautifully crafted for treble voices
A rubato piano solo opens this lush arrangement of the beloved holiday song made popular by Judy Garland in the 1944 movie musical "Meet Me in St. Louis." Then the verse is sung before the ensemble settles
Although it doesn't appear in the original 1939 film, this number from "The Wizard of Oz" is an energetic, swinging romp through one of the prominent dance crazes of the time period, and appears in many
Who can forget those boisterous singing and dancing motorists on L.A.’s jammed 110 freeway at the opening of the 2016 box office smash "La La Land"? This dynamic arrangement captures the excitement of
Two big shows. Two big songs. You Will Be Found from "Dear Evan Hansen" and The Story of Tonight from "Hamilton" are combined into an emotional mash-up created by Lin-Manuel
This bewitching bit of nostalgia will charm your audience for Halloween, fall concerts, or any pop or show choir concert. Originally written in 1956, but famously covered by Bette Midler for the '90s cult
"From now on, if you need me, you can sing this song. There's a light in the hallway burning all night long." This tender, original contemporary a cappella ballad from supergroup Pentatonix is available for
This original work sets a well-known Emily Bronte poem in a lyric song style. Flowing vocal lines and rich musical colors offer choirs many opportunities for expressive singing. The SATB version is adapted