Although this is an original work, the words, which simulate a tribal language, give it a world-music feeling. In fact, the chant-like character of the piece almost makes you feel as though you are taking
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Al Shlosha D'varim is a lyrical setting of an essential maxim from Jewish morality laws, translated to mean: "The world is sustained by three things: by truth, by justice, and by peace." Available
Often translated as "times gone by" or "days long ago," this is a song of friendship and goodwill. Traditionally associated with New Year's Eve festivities, this Scottish air is also appropriate as a
Isabella Leonarda was one of the most prolific woman composers of 17th-century Italy, publishing 20 volumes during her lifetime including the first known sonatas written by a woman. This edition seeks to
This opening chorus from Smetana's most beloved folk opera is filled with the popular spirit, sounds and rhythms of Czech folk music. The effervescence of the music and the camaraderie of the villagers -
This lively arrangement is based on a sturdy American hymn tune with a text by Reginald Heber. The accompaniment provides a solid base and colorful riffs while the tune is presented in unison, canon, and
The opening musical number from the Disney animated feature "Frozen," this song is inspired by indigenous Saami and Norwegian culture, a combination of Saami yoiking and the Danish Christmas hymn Dejlig
A collection of three early American folk hymns: Hallelujah, a six-part a cappella setting of the Sacred Harp tune; Angel Band, an eight-part a cappella setting of the beloved William
Written for solo voice and SSAA choir, this work mixes elements of the Sami yoik tradition, Norse elements, and contemporary Western musical norms to create a new and original setting of this traditional
Here's an arrangement of a traditional Mexican song that will require some work, but will be well worth the effort! Set at a very fast tempo, with some tricky syncopations, complete with yips, yelps and "ai
This unique work blends the Scandinavian hymn Mitt huerte alltid vanker (My heart always lingers) with elements from the Sami yoik tradition - both syllables and melodies. This arrangement is
Available in several voicings, Niska Banja is a Serbian Roma dance popular throughout the Balkans. To Central Europeans, the 9/8 rhythm of 2-2-2-3 is as natural as a 4/4 rock beat is in North
This piece combines text that draws on Scandinavian mythology, techniques and traditions of the native music of the Yoik people and contemporary harmonies to create something visionary and completely new.
Inspired by the Joseph Jennings arrangement of this same tune for Chanticleer, this arrangement combines the five-syllable "halleluia" with the timeless melody of the old spiritual. A true gospel piano part
Combining traditional Western harmonies, 12-tone technique, and elements of the Sami yoik tradition, this eclectic and emotional piece will connect you, your choir, and your audience to each of these
Originally part of a Mass setting incorporating traditional Latin Mass movements with elements from the Sami yoik tradition, other Norwegian folk music and traditional Finnish Music. This single movement,
Copland's treatment of this classic Shaker melody reintroduced the tune to an entire century of Americans. Set here for mixed, treble, or tenor-bass choirs and piano, it retains all the characteristic
This classic love song from "West Side Story" is presented in a powerful concert setting that is both dramatic and beautiful. Lush harmonization, some divisi, and a soaring accompaniment bring this classic
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This beautiful Gaelic carol comes from the Scottish Isles. The tune, which is in the mixolydian mode, has a medieval quality; the gently swaying rhythm captures the essence of Mary gently rocking the Baby
This exciting Christmas carol, originally for treble voices, comes from Britten's "A Ceremony of Carols." The accompaniment, written for harp, may also be played by keyboard.
This text is all about loving one another, a much needed sentiment in these turbulent times in which we live. The music is flowing with soaring voice leadings, modern harmonies, cascades, and chord clusters
First written as the bright, opening movement of Heavenly Home: Three American Songs, this enduring gospel favorite is set with a straightforward first verse and chorus. The next two verses combine