This partita is based on Martin Luther's best-known chorale and utilizes both its rhythmic and isometric versions. The first movement may also be used as an accompaniment to the rhythmic version, just as

This flexible arrangement evokes the power and majesty of the text. It begins with a straightforward harmonization, then a contrasting stanza with the melody in the bells and the accompaniment in the chimes

This festive setting of WIE SCHOEN LEUCHTET begins with a simply stated melody in the bass and a cascading treble-bell peal. This is followed by a meditative middle section featuring continuously moving

An arrangement of NEW BRITAIN for 3 octave handbells or handchimes. Level II. The tune is found in the alto and bass lines, illustrating that God's grace is both beautiful and deep. With gentle, clear, and

One in a series of hymn accompaniments for piano that will be useful for leading congregational singing, these settings can also be used to accompany unison choir or soloist. These settings provide variety

A festival hymn setting by Jacob B. Weber on the tune O DASS ICH TAUSEND ZUNGEN HATTE (DRETZEL) composed for trumpet and organ or simply organ solo. Practical throughout the year, this arrangement will be

An original composition for handbells or handchimes, this piece brings to mind bells pealing from a small chapel, calling people to a time of worship. This quiet piece offers no familiar tune and encourages

The Reformation-era hymn "Dear Christians, One and All, Rejoice" never goes out of style! This collection contains seven variations of varied ability levels, with some variations as manuals only. Variations

A lovely collection of classic choral preludes that can be used for preludes, offertories, postludes or even as special music for any worship service or concert performance. Arranged for keyboard and any

Alfred Fedak has  crafted eight varied hymn settings in a masterful way. These settings would be appropriate for preludes, offertories, and postludes. Tunes included are: AUS TIEFER NOT; DUNDEE;

These joyous pieces are appropriate for the season of Epiphany and other times of the church year. They are joyous in nature and varied in styles.  They range from medium to medium-advanced.

Continuing his very popular series, these five imaginative settings will be a wonderful addition to your library. Contains: Prelude and Fugue on A Mighty Fortress; What a Friend We Have in

Kevin Hildebrand adds twelve pieces to the For Manuals Only series. These pieces are crafted to be accessible for players with limited or no pedal ability, while still interesting and engaging for organists

This grace-filled piece reflects the blues of sin and the rhythmic joy of God's forgiveness! As a hymn focused on Christian unity, it is useful throughout the entire church year. The arrangement makes use

These eight easy pieces are distinct and well-crafted for organ students and those wishing to use minimal pedals. Tunes included are: CANTAD AL SENOR; FAITHFULNESS; GIVE THANKS; HANOVER; HYMN TO JOY;

Quietly reflecting Gerald P. Coleman’s meaningful and heartfelt text, Sandra Eithun has arranged The Lamb (WINTER) for 3–6 octave handbells, optional handchimes, and optional solo or

This six-movement partita provides grand, intimate, and hymnic settings with a variety of tonal colors. The partita may be played as a whole, or the organist can select movements to introduce the hymn, to

This partita on the three-stanza Pentecost hymn Come, Holy Ghost, God and Lord (KOMM HEILIGER GEIST, HERRE GOTT), is set in three movements: I. Aria (Now Outpour); II. Duet (Teach