Originally from County Wexford, this Irish Christmas carol proclaims the joyful message of Jesus' birth. Accompanied by the choir, several soloists have a chance to tell the story: the tenor begins, three
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Gently rocking, this arrangement of the well-known carol begins in the upper voices and then continues in the lower voices. The song begins quite traditionally until Carol of the Bells slips in and
Based on a poem by Sara Teasdale, this striking composition leads us through the extraordinary Christmas events in Bethlehem. Different voice combinations create a suspenseful and diverse sound: from unison
A subtle arrangement of the well-known Christmas carol, this lullaby radiates calm and transports singers and listeners to the mysterious world of dreams. Sing the traditional German lyrics or the English
Alternately accompanied by the upper and lower voices, the solo tenor tells the story of the well-known English Christmas carol. In a combined effort, the refrain resounds, and after a lively modulation
A lyrical, ballad-like lullaby for baby Jesus in the manger moves performers and audiences alike. With lyrics in either English or German, it not only enhances Advent and Christmas concerts but can also be
Combining modern and traditional styles, this easily singable a cappella piece is just lovely! The mix of calm, sustained passages and driving rhythmic components creates a radiant sound that repeatedly
Lyrics that speak of the dreams, wishes, and desires of young and old alike during the Christmas season are given an original melody and tight harmonies in this warm and contemporary a cappella setting.
Though this arrangement begins rather unassumingly, after a couple of jazzlike chords the journey to a cappella pop begins. Rhythmically playful and radiant, this carol includes flowing quarter-note runs,
Voices entering in succession resonate over and over in this truly festive arrangement. Imitative voice leading is followed by an interwoven structure with sustained pedal tones, making this piece an
Voices ring out in this festive arrangement of the well-known Christmas carol, incorporating the harmonious world of jazz. It becomes a bit more reflective, then this delightful piece culminates in a
Written with a swing, this a cappella jazz arrangement passes the melody between voice parts and is oh so fun to sing! The tenor part is also accessible to altos, making this piece fitting for a variety of
Arranged for a cappella mixed choirs, this merrily swinging version of the holiday classic exudes pure joy and causes the "jingle bells" of the horse-drawn sleigh to sound in the truest sense of the
Using text from a 15th-century English poem, this original work depicts Jesus' humble birth by the Virgin Mary. With changing voice leading and a variety of voice combinations including optional soli, this
Opening with a low bass solo and unfolding into a radiant mixed-choir arrangement, this take on the popular spiritual incorporates elements of gospel, jazz, and pop music. An incredibly fun a cappella
Prompting a similar reaction to what one can often experience in settings of O magnum mysterium, this arrangement of the famous French Christmas carol celebrates the mystery of the birth of the
Composed in 1898 by German composer Engelbert Humperdinck, this piece tells of the anticipation and love felt at Christmastime. Closely following the original, the arrangement captures Humperdinck's
An excerpt from the Christmas cantata Canta Navidad, this piece anticipates the coming of the Christmas season, which is associated with the beginning of summertime in southern Latin America. A
Some of the most popular pastoral movements – such as those by Corelli, Manfredini, and Locatelli – are wed to Christmas poems by Baroque poets in this collection of sensitive, accessible
The melody of this well-known villancico (Christmas carol) can be heard in the treble voices and is accompanied by a swaying piano accompaniment. The optional flute or recorder parts add
This is a strophic setting of the antiphon from the Holy Thursday liturgy. The composition commences with a solo voice before all four voices merge for the refrain (Ubi caritas et amor) and ultimately the
Distressed, Jesus addresses his disciples in the Garden of Gethsemane. In this sacred composition, the emotion and drama of these words are transformed into music. Individual voices begin this choir piece