Gently rocking, this arrangement of the well-known carol begins in the upper voices and then continues in the lower voices. The song begins quite traditionally until Carol of the Bells slips in and

Originally from County Wexford, this Irish Christmas carol proclaims the joyful message of Jesus' birth. Accompanied by the choir, several soloists have a chance to tell the story: the tenor begins, three

Based on a poem by Sara Teasdale, this striking composition leads us through the extraordinary Christmas events in Bethlehem. Different voice combinations create a suspenseful and diverse sound: from unison

Alternately accompanied by the upper and lower voices, the solo tenor tells the story of the well-known English Christmas carol. In a combined effort, the refrain resounds, and after a lively modulation

Lyrics that speak of the dreams, wishes, and desires of young and old alike during the Christmas season are given an original melody and tight harmonies in this warm and contemporary a cappella setting.

Though this arrangement begins rather unassumingly, after a couple of jazzlike chords the journey to a cappella pop begins. Rhythmically playful and radiant, this carol includes flowing quarter-note runs,

Written with a swing, this a cappella jazz arrangement passes the melody between voice parts and is oh so fun to sing! The tenor part is also accessible to altos, making this piece fitting for a variety of

Using text from a 15th-century English poem, this original work depicts Jesus' humble birth by the Virgin Mary. With changing voice leading and a variety of voice combinations including optional soli, this

Opening with a low bass solo and unfolding into a radiant mixed-choir arrangement, this take on the popular spiritual incorporates elements of gospel, jazz, and pop music. An incredibly fun a cappella

Some of the most popular pastoral movements – such as those by Corelli, Manfredini, and Locatelli – are wed to Christmas poems by Baroque poets in this collection of sensitive, accessible

Marked by exceptionally rich and powerfully expressive melody and harmony, this Latin Mass radiates joy, encourages solemnity, assists in lamentation, moves in contemplation, speaks directly to human

Salento, the southernmost region of Apulia at the heel of the Italian boot, possesses an exceedingly rich and lively musical tradition. The music is multifaceted, melodically catchy, and significantly

This is a strophic setting of the antiphon from the Holy Thursday liturgy. The composition commences with a solo voice before all four voices merge for the refrain (Ubi caritas et amor) and ultimately the

With traditional Latin text by St. Thomas Aquinas, this is a beautiful choice for both concert and liturgical settings. Its serene homophonic texture features antiphonal singing, making it accessible to