This compelling a cappella setting of the 13th-century Latin Eucharistic hymn by Thomas Aquinas is appropriate for both worship and concert. A neo-Renaissance motet with 21st-century harmonies, it contains
This brief but deeply moving setting of a traditional Latin Christmas text includes an alternate English text and is appropriate for both school and church choirs. The voices are a cappella and homophonic
This new edition of a medieval Latin Christmas hymn offers options for soloists with a cappella double choir or single choir with organ or instruments. Part of the Duke University Series, there are four
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Written by a former director of the School of Music at Howard University, this lovely setting of Psalm 130 may be sung a cappella or lightly accompanied by organ or piano. This gem will be a great addition
This traditional spiritual is sensitively arranged by one of today's prominent African American composers. The setting contains a hint of Lift Every Voice and Sing and is part of the Duke Chapel
"When Christmas morn is dawning, help me to see the child in the manger, a mirror, God, of Thee." A beautiful melody aptly conveys the charming text and reflects German and Swedish folk influences. The
Beginning softly and atmospherically, this lovely setting radiates joy and peace. Building with a march-like quality, it explodes with majesty before ending in the quiet spirit of the opening. Perform
This setting of the beloved Christmas carol alternates the traditional melody with original material that beautifully illuminates the text. From beginning to end, the silky smooth flow continues as the
A moving text by Paul Hoffman is the inspiration for this quiet, lovely original Christmas anthem. The lyric flow of each stanza slows to its cadential point to ponder and appreciate Beauty, Hope, Love,
A unique combination of an old Irish Reel combined with the tune "Star of the County Down." The setting begins with an Irish folk-like violin solo, followed by accessible choral writing.
This a cappella setting of the traditional carol opens with a spotlight on the tenor section with background choir "oohs." The second stanza is more homophonic, and in the third, the carol is sung
"Hear on the night wind Rachel weeping." So eloquent, this choral reflection on sorrow and healing is scored for voices, piano, and cello. The voices are delicately interwoven, alternating chordal with
With upbeat swing rhythms and a delightful and jazzy treatment, this concertized version of the traditional English carol will be a holiday favorite!
Premiered and recorded by the acclaimed VOCES8, this gorgeous five-movement setting of the Magnificat is scored for SATB divisi voices and soprano solo with piano, chamber orchestra, or full orchestra. The
This sensitive setting of the spiritual KUM BAH YAH is not to be missed. In one spot the piano plays a guided improvisation over the choir singing neutral syllables. In another there is the option to sing
Matthew 25 and the well-known Emma Lazarus text, The New Colossus, are used in this effective short piece about caring for the less fortunate. The music begins with various soloists.
A welcome "big choral" setting of a classic spiritual, this unaccompanied setting has divisi in all parts, a touch of chromaticism that is totally in character, and plenty of variation in texture, tempo,
Matthew Culloton has created a gorgeous setting of the familiar carol scored for SATB divisi voices with soprano solo, a cappella. Beautiful textural and harmonic touches, alternately simple and complex,
A stirring text by Shirley Erena Murray speaks to God's inclusive spirit and our need to be creators of justice. With music by Tom Trenney, it is available in several different voicings, has an effective,
"O what are all my sufferings here compared to life above?" This Charles Wesley text is set to a sturdy tune by William Walker, compiler of shape-note books such as Southern Harmony. It celebrates our
Matthew Culloton has set this traditional carol for SSATBB a cappella voices. The lilting choral accompaniment evokes pizzicato sounds surrounding the tenor melody in verse one. The other verses are set
For SATB and piano, this original setting of Maya Angelou's poem Prayer is in a soulful 6/8. Beginning with a series of thanks, the piece has a slower middle section with a series of petitions,
This well-known tune is set for SATB voices and piano. The energy of the piece is supported by a strong piano part, excellent vocal writing, and restraint in divisi. With numerous settings of this text