Donald McCullough includes an interesting and lush organ part to accompany an original melody set to a familiar Lenten text. The part-writing is accessible and the altos are featured as a
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Originally conceived with full orchestra accompaniment, this glorious setting of LASST UNS ERFREUEN also works well with organ accompaniment. The choral texture varies by stanza and includes some choral
This creative hymn concertato begins with an organ and brass fanfare followed by the congregation singing the CORONATION tune and alternating verses with the choir singing the DIADEM tune. Bright and
A lyrical and lovely setting of a text by St. Augustine which is both moving and authoritative, and is sometimes referred to as a resurrection prayer. The SATB setting and flowing piano accompaniment do
A joyful and rhythmic setting of the beloved 19th century text, this has nice vocal ranges and a clean, classic feel. The newly composed melody captures all of the buoyancy inherent in the lyrics. For
After a lengthy introduction featuring organ and C instrument, the choir enters singing HOLY MANNA, first in unison and then in canon. Transitional harmonic regions color the third verse, then the return of
The often-quoted Charles Wesley text is set here using the congregation as a central element of the music. First the phrases they sing are modeled by a soloist (or soprano section,)
This setting of LAUDA ANIMA is festive and uplifting. An extended introduction is followed by four stanzas with short interludes between stanzas 2-3 and 3-4. Stanza 3 is set for SATB a cappella voices. The
This setting of the Luis Bojo text and tune (SANTO DOMINGO) is infectious fun from beginning to end. Percussion is optional, but simple and very effective. There is a section where the women and men each
This stirring setting of the tune HYFRYDOL may be performed with several instrumentation options: with organ alone, organ with brass quintet, or organ with full orchestra. The piece was written for the 2015
Fourths and fifths in the melody and harmonization give this anthem a timeless strength, yet there is still tenderness as the text, based loosely on a text by Horatius Bonar, speaks of God's gentle grace.
Flute, oboe, and hand drum introduce and accompany this SATB a cappella setting that pairs Newton's traditional text with the tune GREENVILLE, an American melody in flowing 6/8 meter. The vocal parts are
This stirring setting of the well-known hymn by Charles Wesley will be meaningful to both choir and congregation. An independent organ accompaniment supports fine choral writing. The last verse soars with a
Appropriate for All Saints, Easter or general use, this choral reflection on Revelation 21:1-4 has two versions: cello and piano; and violin, cello, and organ. Affirming and lovely.
"O what are all my sufferings here compared to life above?" This Charles Wesley text is set to a sturdy tune by William Walker, compiler of shape-note books such as Southern Harmony. It celebrates our
This arrangement of the familiar carol begins very much like a traditional four-part setting but progresses in the expansion of the choral parts as the piece develops. The voice leading is superb and
Neil Harmon has created joyous new music, rhythmic and lively with 6/8 and 4/4 in alternation for this traditional carol text. The dance-like setting is full of infectious fun with nice key changes and
A beautiful and stirring text by Jeannette M. Lindholm that presents a poignant scene of what the day of Annunciation may have been like for Mary. The piece is in three movements with the middle movement
The well-known text by George Herbert is set here in a masterful way for choir and organ. "Let all the world in ev'ry corner sing" is one of the best-loved texts of the choral world, especially relevant