Growing from a single to a double SATB choir, this convivial setting of Richard Crashaw's text invites us to lift up "our loftier song, and wake the sun that lies too long." Choral triplets gesture toward a

Nicholas Dakin's mystical nativity text is brought to life in dramatic fashion. The octatonic melody and open harmonies with parallel fourths and fifths are invigorated with an energetic 6/8 meter that is

With text from the traditional Latin Mass, this modern a cappella work captures the feeling of a rushing current throughout. Layers of ostinatos and vocal effects along with some simple body percussion

Setting vivid poems by Kate Wakeling, this three-movement work is a powerful exploration of the theme of ice through the lens of climate change. Not specifically written to be a winter work, it can be

An ambient a cappella opening gives way to an accompanied texture for mixed choir with full divisi in this setting of Sara Teasdale's text. The metaphor of the ocean's tide symbolizes life's ups and downs;

Matthew Stepanic's romantic and ultimately tragic text, inspired by Octavio Paz's poem A Boy and a Girl famously set by Eric Whitacre, is beautifully set for a cappella mixed choir. Described by

This 13-minute three-movement work for mixed choir and piano or strings with percusion (vibraphone, glockenspiel, and suspended cymbal) offers an enlightening commentary on the power of music to console and

Representing a rich diversity of styles, this impressive collection of 12 original choral works and adaptations from the classical canon all feature SATB mixed voices and solo cello. Each selection can

In an upbeat setting of a hymn text by 17th-century English poet George Herbert, irregular meters, syncopation, and dancing melodic shapes are employed to amplify the jubilant mood of the text.

This compelling anthem presents an assortment of historic sacred texts, artfully compiled by the composer to form a complete setting, with alternative text for Lenten use. Firmly rooted in the English

With text by writer and activist James Weldon Johnson, this piece's prevailing triple meter gives momentum to the lilting melodies that weave through the voices.

This is a substantial setting of the canticles of Mary and Simeon, suitable for use in both concert and liturgical settings.

This gentle arrangement of the well-known 15th-century carol features a soprano or baritone soloist and a melancholy atmosphere. From Carols for Choirs 6.

This touching carol sets a tender text by G.K. Chesterton. From Carols for Choirs 6.

Jongen's Messe en l'honneur du Saint-Sacrement was written in 1945 to celebrate the 700th anniversary of the inception of the Festival of Corpus Christi. The result is a striking work that is very

Book 2 of this two-volume series of concert pieces for the intermediate to advanced cellist features arrangements and original pieces by the composers of the award-winning Cello Time series. These graded

This short Missa brevis setting is perfect for choirs looking to bring a fresh sound to their worship. Each movement is distinct in character, but with an overall cohesiveness of harmonic language. A short

Commissioned by Sonoro for the second installment of their Choral Inspirations project, this piece was composed as a response to Antonio Lotti's Crucifixus from Credo in F. Use of suspensions,

In the First, Spinning Place was inspired by Dylan Thomas's exuberant poem Fern Hill. The first section of the concerto is a light, dancing movement, the second section contains echoes of

Combining texts by Hildegard of Bingen and Mother Teresa, this striking concert work for mixed choir with SAT semi-chorus is both emotive and lyrical. The main choir is accompanied by a small SAT ensemble

A beautiful 6-part unaccompanied Marian motet written for the Marian Consort. The work combines reminiscences of Renaissance settings of this text with McDowall's distinctive contemporary voice.