The 18 Concert Etudes were written for the more advanced clarinetist and can function as either workouts for practice sessions or performance pieces. The etudes feature varied technical challenges,
With background notes and performance suggestions, Martin Tourish introduces musicians to the world of Celtic music. The selected pieces span three centuries of music-making in Ireland, Scotland, Wales,
For the advancing accordionist, Tourish presents a selection of 30 folk tunes from the Celtic tradition (Irish, Scottish, Welsh, Cornish, Breton) spanning three centuries. Tourish helpfully provides notes
James Rae provides 18 performance opportunities for very beginning flute. The first piece, Opening Fanfare, is built upon a single note with few notes introduced in successive pieces in standard
A great start to trumpet performance, Rae's Child's Play includes 18 pieces in very gradual progression. The first piece is crafted around a single note, with the piano part adding context and style.
18 very easy pieces are designed to "take the younger beginner from day one to grade one," as Rae says. In fact, the very first piece, Opening Fanfare, uses a single note, focusing instead on
A comical mash-up of melodies for the holidays, for solo violin and piano.
It is a testament to Rae’s craft that he can compose a dozen pieces for beginning clarinetists and
For the clarinettist of intermediate skills, Rae has chosen 10 works from Brahms as an introduction to this important composer. Classic pieces such as May Night, Cradle Song, Love Song and
Includes a wide range of much-loved Russian repertoire of the 19th and 20th centuries originating from opera and ballet to instrumental and piano pieces, these compositions are arranged as miniatures for
Fereshteh Rahbari continues his presentation of flute repertoire with Duos 1, 25 easy to intermediate duets from Handel and Haydn to Bartok and modern day composers. Flutists of moderate skills
Arranger Gisler-Haase finds that vocal music often lends itself well to the flute, since both are breath-dependent. For pedagogic use in flute ensemble classes, she turns to choral music of the Renaissance
For guitar solo. First printing. Preface in Ger., Fr. and Eng. Three short pieces evoking the music of dreaming, of sorrow, and of joy. Score, 12 p.
These exercises are written for the improvement of finger, articulation and breathing technique as well as for increase of speed. They can used on treble recorders with either German or English fingering.