“And I heard a voice” is commissioned by the Centro Nacional de Difusión Musical CNDM (Madrid) on the occasion of the 800th anniversary of the founding of the University of Salamanca in

Thomas Traherne's text speaks to the deeper questions of life and purpose, and Arthur's shimmering a cappella setting rings with poignant expression. The divisi harmonies move in sections of mostly

For collegiate or professional ensembles, this piece, though short, covers a lot of musical ground. Within its 32 bars, it covers a wide range of dynamics, and its harmonic language moves through several

This new setting is written in the style of the traditional Austrian Missa brevis as perfected by Haydn and Mozart and mixed with symphonic Mass settings a la Bruckner. This four-part homophonic setting of

Written and composed in 1848, this Shaker tune was almost unknown until Aaron Copland used the melody in his ballet "Appalachian Spring" in 1944. Since then, it has become very popular and appears in many

These three carols will appeal to your audience who will enjoy a bit of the familiar with some fresh, new settings. They will appeal to the singer with their simple but effective word settings along with

The sextet op.4 is one of Schönberg's tonal works. It is still firmly rooted in the late Romantic musical tradition but already bears the signs of the innovations to come. Its premiere in 1902 was met