This arrangement of the beautiful song from Richard Strauss' first collection of published lieder features well-written vocal parts with an authentic piano accompaniment. The piece supplies opportunities

Originally sung by a bass soloist in Handel's oratorio "Judas Maccabaeus," Arm, Arm Ye Brave is classic solo repertoire that has been skillfully adapted for tenor-bass choir. The arrangement

The Schubert masterpiece, skillfully arranged for developing choral groups, provides opportunities for solos or section features and allows conductors to work on healthy singing technique, beautiful

Isabella Leonarda was one of the most prolific woman composers of 17th-century Italy, publishing 20 volumes during her lifetime including the first known sonatas written by a woman. This edition seeks to

Caligaverunt Oculi Mei (1585) is the ninth responsory for the matins of Good Friday. Scored for unaccompanied mixed voices, the text combines scriptures from Job and Lamentations as an allegory

With the option to perform a cappella or with basso continuo and cello, Monteverdi's masterwork breathes new life in this edited version for divisi mixed choirs. An exciting texture that bridges the

This classic piece composed in 1865 holds a cherished place in the choral repertory for concerts, festivals and services. Presented with an English singing translation in addition to the original French,

This piece from Missa Abreviada, CPM 112, has been edited for choir with solo quartet and piano accompaniment. Beginning slowly, the piece moves into a spirited fugal setting of the traditional Latin

Schubert, composer of over 600 lieder, elevated the art form by creating settings that give equal consideration to the melody, piano accompaniment and painting of the text. This adaptation of a classic lied

This edition of the well-known choral masterwork from Mozart's "Requiem," now available for mixed, TTBB, and SSAA voices, has become a standard for today's choirs. Patrick Liebergen has re-scored the

The cries of the damned open the powerful second movement from the Mozart Requiem. “Day of wrath, day of judgment” makes a dramatic choral statement with a mostly homophonic texture. The piano

Adapted from Slava, opus 21, this arrangement brings Rimsky-Korsakov's classic Russian choral piece to a wider audience. The original Russian text has been replaced with a hymn by the arranger that

At long last, this perennial favorite from Handel's "Messiah" is now available for developing ensembles in a simplified yet authentic arrangement that will enhance the sound of any size choir. Lowered from

One of the world's most recognized and performed choral works from Handel's Messiah is now available in a carefully crafted arrangement for middle school mixed voices! Special attention has been

Introduce your tenor-bass ensemble to Baroque style with this powerful chorus from Handel's oratorio Judas Maccabeus. Adapted for just two voice parts, this arrangement preserves much of the

G.F. Handel's iconic Hallelujah Chorus is an annual tradition for thousands of choirs around the world. Here is the standard version in all its glory for SATB choir with a piano or organ part

From Handel's first English masterwork, "Acis and Galatea," this lively chorus offers singers valuable experience in working with and performing Baroque melismas. The music is cheerful and colorful,

Composer Virgil Thomson prepared this edition of Beethoven's majestic chorus while studying at Harvard University. Thomson's version uses only this English text based on Psalm 19. In the original German

An autumn-themed text is presented in German, with the option of a singable English version in this masterwork. Mendelssohn's duet has been crafted into an authentically styled choral arrangement perfectly

The melody has a simple innocence, but the harmony provides great warmth and subtlety in this touching love song by Clara Schumann arranged for choral ensembles. Set in a modified strophic form, the setting

A sprightly and refreshing piece, this fits perfectly in any program about spring, nature, or singing itself. It reminds us that, although often overlooked, there were many fine women composers active in

This lovely edition provides a welcome opportunity for young singers and smaller ensembles to perform Baroque music in an authentic style. The keyboard part can be performed by harpsichord, piano, or organ,