Originally sung by a bass soloist in Handel's oratorio "Judas Maccabaeus," Arm, Arm Ye Brave is classic solo repertoire that has been skillfully adapted for tenor-bass choir. The arrangement

Now available in a TTBB voicing, this authentic arrangement of the classic motet gives men's and mixed choirs the opportunity to perform this important piece by one of the most important composers of the

From the Gounod opera "Faust." Here, young Valentin's heartfelt prayer abounds with conflicting emotions, offering singers an opportunity to consider the devotional yet enthusiastic text and operatic style

Arranged for tenor-bass ensembles, this important selection from the standard choral repertoire can be experienced and enjoyed by a new audience. True to Pitoni's original, Leavitt preserves the classic

One of the most recognizable pieces in vocal standard repertoire is brought to the tenor-bass choral world in this new adaptation of an old favorite. The original setting and melody is preserved for

This stately and elegant setting of Purcell's masterwork from Birthday Ode for Queen Mary is adapted specifically for developing choirs. With vocal ranges that work well for young singers, the

This edition of the well-known choral masterwork from Mozart's "Requiem," now available for mixed, TTBB, and SSAA voices, has become a standard for today's choirs. Patrick Liebergen has re-scored the

Introduce your choir to Vivaldi's masterwork with this sensibly adapted edition for developing choirs. Conservative ranges and the accessible Latin text give an educationally sound experience with high

This excerpt from Vivaldi's "Gloria" is specially arranged to meet the needs of the developing singer. An intelligent choice for teaching phrasing and other stylistic features of the Baroque period, this

Introduce your tenor-bass ensemble to Baroque style with this powerful chorus from Handel's oratorio Judas Maccabeus. Adapted for just two voice parts, this arrangement preserves much of the

This is one of Clara Schumann's settings of a Heine text set for choral voices in the original key of E-flat major. After the score opens with four full measures of introductory music, chromatic harmony is

The melody has a simple innocence, but the harmony provides great warmth and subtlety in this touching love song by Clara Schumann arranged for choral ensembles. Set in a modified strophic form, the setting

Energetic tempo, soaring vocal lines, and unified rhythmic texture create a rousing setting of Schulze's text about Jager (hunters) roaming the forest. The strophic form and straightforward harmony make

Originally written for the dedication of the chapel in the New Cathedral in Linz, Austria, this choral classic is the perfect selection for dedications, graduations, or general concert purposes. While the

Brahms' best songs are small, priceless jewels. They are unusual, mysterious, inventive, bass heavy, uncomplicated, melodious, and they are glorious creations! Op. 63, No. 8 O wusst' ich doch den Weg

Here is the beautiful final movement from Giacomo Carissimi's oratorio Jephte. Originally for SATB choir, soloist, narrator and instruments, here is a new arrangement for tenor/bass voices that

Bach's classic work is arranged in multiple voicings to be accessible to choirs of all ages. This edition includes both a secular and sacred English text as well as the option for piano or organ

Generations of solo singers have cherished this classic German art song, and now your choir can sing it, too! Schubert's original piano part provides the rich chromatic language from which the voice parts

Here is a classic tenor solo aria arranged for developing tenor-bass choirs that is both a wonderful teaching tool for its historical and vocal pedagogical value and an impressive festival or concert

While this piece is a standard in the baritone solo repertoire, this setting has turned it into a wonderful opportunity to explore this classic with your whole tenor-bass ensemble. The early 20th-century

A triumphant Mozart masterwork for today's choirs! This joyful opera finale opens and closes with a boisterous choral fanfare that features a brief, expressive vocal duet in the middle. The text is in

Heinrich Heine was a favorite poet for Mendelssohn. In Wasserfahrt, or "waterway" in English, Heine provides a pictorial poetry that Mendelssohn seizes upon.  Throughout this short piece,