Evocative and moving polyphony paired with a text meditating on mankind's relationship with God.

Every part has a chance to sing the simple melody in this flexible arrangement of the classic canon. Designed to be an a cappella selection, it also includes a piano part that is a real accompaniment, not

Careful editing and research bring this beautiful, polyphonic choral piece back to the performance hall. Part of the American Romantic Choral Series, this will be a great addition to festival and collegiate

Composed in 1842 during Liszt's most active period of touring, the sweet tunefulness of the main melody contrasts with moments of solemnity and drama at other times. Plainchant is recalled in his frequent

A serene and devotional work to the Virgin Mary in polyphonic style.

Now available in a TTBB voicing, this authentic arrangement of the classic motet gives men's and mixed choirs the opportunity to perform this important piece by one of the most important composers of the

With Grieg's characteristic lyrical style and Romantic chromaticism, this unaccompanied work is written with mostly homophonic textures. Grieg's setting of this sacred Latin text occasionally divides into

Stanford’s setting of this Latin text for six unaccompanied voices ventures into limited polyphony in a late Romantic, lyrical style. Piano reduction included.

Grounded and powerful, this work rises and falls with tuneful motifs shared between upper and lower voices.

From the Gounod opera "Faust." Here, young Valentin's heartfelt prayer abounds with conflicting emotions, offering singers an opportunity to consider the devotional yet enthusiastic text and operatic style

A cleverly written piece with a text by Alfred Lord Tennyson, the music at times reflects a madrigal with romantic era harmonies. The sound of the bugle is described in a rhythmic motif that is echoed and

With the option to perform a cappella or with basso continuo and cello, Monteverdi's masterwork breathes new life in this edited version for divisi mixed choirs. An exciting texture that bridges the

Arranged for tenor-bass ensembles, this important selection from the standard choral repertoire can be experienced and enjoyed by a new audience. True to Pitoni's original, Leavitt preserves the classic

This piece from Missa Abreviada, CPM 112, has been edited for choir with solo quartet and piano accompaniment. Beginning slowly, the piece moves into a spirited fugal setting of the traditional Latin

From the American Romantic Choral Series, this song announces the day, rolling in from the sea and advancing into the farms and towns. Although the text claims "not yet to be quiet," the music carries the

This joyful choral work ebbs and flows, and is brought to a close by a lilting unity of voices.

A joyous and buoyant work from Dutch Renaissance composer Jan Sweelink, this edition moves the work to a slightly lower key and includes performance suggestions from the editor. A fantastic work for

A lovely piece from the American Romantic Choral Series. Romantic and expressive, the words speak first of mist and leaves but in the end become a love song. With three delicate, identical verses, the piece

This challenging motet in Latin for six unaccompanied voices is an example of the height of Renaissance polyphony in England. Piano reduction included.