A pull-out from the classic Carols and Lullabies collection, this traditional Spanish carol in four parts also includes English text. The accompaniment includes marimba, harp, and guitar for a truly

A triptych of pieces for harp (or piano) and SATB divsi chorus using texts by poet Christine Schenk. Her version of the "O Antiphons" provides a means of contemporary reflection on those ancient texts. The

You won't want to miss this show-stopping holiday novelty! This is musical theatre at its best - from the moment the opening curtain rises to the final kick line - this is craving choreography, which is

This outstanding arrangement of the beloved Christmas carol is sure to delight choirs and congregations alike. Each stanza receives a thoughtful treatment in voicing and instrumentation, making this a truly

Based on the tune CRADLE SONG, this wordless carol features a lush orchestration while the choir ebbs and flows harmonically. One of the featured carols in the VOCES8 album A Choral Christmas.

Your choir will love digging into this brilliantly scored medley of three traditional Christmas Spirituals: Behold that Star, Rise Up, Shepherd, and Follow, and Go Tell it on the Mountain. This

This fantastic arrangement takes this ballad from "The Polar Express" to a new level! Originally recorded by Josh Groban, the song has become a standard in the holiday repertoire. "Children sleeping, snow

This inventive piece celebrates our Savior's birth in a joyful and reverent way by embellishing the music with rhythm instruments such as conga drum, claves, triangle, and bass. The middle section serves as

An enjoyable component of many Christmas services or concerts is the inclusion of Silent Night, and this is sure to become a choral favorite with its authentic Celtic rhythms and unique harmonies.

From Trans-Siberian Orchestra's triple-platinum album Christmas Eve and Other Stories, this famous combination of Pachelbel's Canon with patterned vocal parts that can be quickly taught and layered

Infectious and jazzy, with a dash of handbells thrown in for good measure, this original piece will bring enjoyment to all who hear it! A verse of O Come, O Come, Emmanuel is blended in the middle

Based on the original Michael W. Smith Christmas song, this celebratory setting is teeming with energy and joy. Arranger Lloyd Larson blends in Angels We Have Heard on High and offers an optional

African American poet Countee Cullen is the text source for this musical work which captures a flavor that respects the difficulties of the African American heritage. The title is used as a litany response