A true classic, Luboff's lush and distinctive a cappella arrangement of the traditional Bahamian spiritual is a standard in the choral performance repertoire. The treble version has been adapted by James E.

This fresh combination of two traditional spirituals in a light jazzy style is equally appropriate for the concert stage or the worship service. The addition of the optional rhythm parts heighten the

This sensitive setting of the spiritual KUM BAH YAH is not to be missed. In one spot the piano plays a guided improvisation over the choir singing neutral syllables. In another there is the option to sing

The composer pulls out all the stops on this gospel piece. The piano part soars; the tenor soloist dramatically rises above the choir. Enjoy this long-time favorite!

The artistically crafted piano accompaniment creates a gentle, wave-like motion to support the warm, lush choral textures and harmonies in this superb arrangement of the beloved spiritual. This elegant

This spectacular spiritual arrangement is inspiring and well written. With a play on words and some divisi near the end, the energetic writing will make this an exciting part of any service or concert!

One of the most enduring spirituals gets a brilliant rendition in this arrangement for mixed voices. Blues nuances and stylized vocals are easy to master and exciting to sing, while the varied

This spunky rendition of the timeless spiritual is upbeat and syncopated with tons of personality. Lots of unison makes this piece easy to sing while it builds to an impressively big ending. The inclusion

Combining two familiar spirituals, this dazzling arrangement utilizes an abundance of rhythmic energy to express the need to lay down our burdens and stand before the Lord in prayer. Written in a down-home

In the SSAA voicing, this piece went viral when the Colorado All-State Treble Choir sang from the balconies in a hotel lobby! This a cappella arrangement of the folk hymn made popular in the movie "O

This dynamic medley captures the spirit and message of two popular songs that deal with the significance of prayer for the individual believer and the church as a whole. The spiritual, Down to the River

This masterful setting of the traditional spiritual Give Me Jesus is full of wonderful harmonic moments supported by a gorgeous piano part. From the simple solo opening to the soaring climax,

Rosephanye Powell has brought her classic style to the beloved spiritual Good News, Chariot's Coming! This arrangement is rhythmic, vibrant, and fun, with excellent vocal writing and energy. The

The Brandon A. Boyd Choral Series presents an original composition that will inspire your congregation. It is infused with the unmistakable influence of Richard Smallwood. The composer encourages us to sing

This setting of the traditional spiritual speaks of the need for guidance and trust in the Lord. Scored for choir with a classic walking bass line, much of the divisi writing can be shared across treble and

This work has the ethos of a spiritual, with the text and a few riffs inspired by Amazing Grace. The choir, considering the power of grace in song, affirms that no trouble, no shame, no

Choirs have loved and performed Carter's classic arrangement of this traditional spiritual throughout the years. Preserved and now available in a newly engraved version, it can continue to be enjoyed for

An uplifting, joyful arrangement of Kum Ba Ya from the pen of best-selling composer Mark Burrows. Dynamic in all the right places, Burrows has crafted an anthem that has soul and spirit from the

After opening with a deeply reflective solo, this offering turns into a boisterous gospel anthem. Independent parts are used in this arrangement, and women's and men's voices both split into three parts.

This arrangement is a fast-paced setting of the traditional spiritual, suitable and exciting for intermediate to advanced choirs. It will surely stir audiences as it modulates from key to key.

This arrangement of the lesser-known spiritual Long Fare You Well builds on the expressive melody by incorporating fragments of the tune throughout the choral writing and culminates in a glorious

Originally crafted for the iconic Kathleen Battle and Jessye Norman concert of spirituals at Carnegie Hall in 1990, this piece brings forth slow, profound chordal passages, exquisite solo flute melodies,

This moving a cappella setting of the well-known spiritual text offers a moment of tender reflection in the midst of the world's troubles. A soulful soloist sets the tone for the piece, and expressive