The clock strikes midnight, a ghostly fiddler plays eerie tones, and skeletons dance until the rooster crows at dawn. Perfect for Halloween or as a change of pace for any time of year!
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This familiar sneaky theme was originally composed for solo piano by French composer Charles Gounod in 1872 as a bit of a joke about a particular music critic. The mysterious and foreboding motif has since
Expertly arranged to sound remarkably authentic while remaining extremely playable, this setting offers the opportunity to explore one of the most well-known pieces in the repertoire.
This whimsical theme is perfect for teaching intervals and chromatic fingerings. Violas use half position, and first violins will shift to third position. Cellos and violas are featured in the second theme,