Recorded by Mariah Carey in 1994, this familiar tune has become a perennial holiday favorite. Arranged here as a vocal or tenor sax solo feature with big band, the opening rubato section is followed by a

Reminiscent of the classic version by Count Basie, here is a terrific medium swing setting of this familiar standard for vocal solo with jazz ensemble. In the event a vocalist is not available, an optional

Oh, yes! This is a superb setting of the iconic jazz ballad that features the alto sax star in your band. The alto solo is mostly written with opportunities to improvise around the melody, and the ensemble

Perhaps no popular Christmas standard has the instant recognition than that of Frank Loesser's Baby, It's Cold Outside! Often performed as a vocal duet for a girl and guy, this versatile

Pat Metheny is known for his beautiful melodies, and Back in Time is no exception. Featuring a flugelhorn or trumpet soloist throughout on a written-out solo with chords included for improvisation,

You simply cannot go wrong with this Matt Harris chart on this great jazz ballad ideally set as a tenor sax solo feature! The tempo is about 98 bpm with the tenor solo written and improvised.

One of the most iconic holiday tunes of all time, The Christmas Song as composed by Mel Torme and Robert Wells is treated here in a masterfully constructed setting featuring a flugelhorn soloist.

Vince Guaraldi's touching ballad from "A Charlie Brown Christmas" will feel as familiar as an old friend. This feature for vocal soloist makes a simply wonderful addition to your holiday concert! Vocal in

The swingin' Quincy Jones arrangement of this standard was a Frank Sinatra signature tune.  Here's the authentic version edited and adapted for today's bands by Mike Tomaro. Vocal key: B-flat.

Now in print for the first time, this was originally written in 1987 for the Richard Stoltzman album titled Ebony, featuring the Woody Herman Big Band. Duke Ellington's Come Sunday featured

Featuring a vocalist with big band, this gorgeous ballad is played around 74 bpm. The vocal range is G below middle C to third space C, and the lead trumpet range is to F-sharp top line. Included are

Award-winning pop singer Norah Jones made this tune climb the charts, and it's easy to see why so many people like it. The haunting, beautiful melody and smooth harmonies make it an incredibly appealing

Composed in the '50s, this entertaining holiday tune has been recorded notably by Kay Starr, and more recently by the Brian Setzer Orchestra. For vocalist and big band, this is a dynamic and swingin'

From the Broadway musical "The Roar of the Greasepaint - The Smell of the Crowd," this fabulous standard is popular again with a stunning rendition by Michael Buble. Capturing the bluesy flavor of this

Peggy Lee made this sizzler famous. Make sure you have enough fire extinguishers on hand just in case. Vocal solo in A minor. modulating to Bb minor.

For the first time, here is Quincy Jones' arrangement originally written for the 1964 Sinatra/Basie studio collaboration It Might As Well Be Swing. This chart was also used a few times during the 1965

Written with comfortable ranges and at a moderate tempo, this vocal feature will be at home on any concert program. Vocal in A-flat.

Originally recorded by the Count Basie Orchestra and later revised for the SWR Big Band CD Basie-cally Sammy, this wonderful chart features a very bright tempo and a solo tenor sax. It also includes several