Based on the well-known bible text "Sing unto the Lord a new song" (Psalm 96:1-3), this upbeat composition with strong dynamics and flowing block chords alternating with fast-paced polyphony brings across

Capriccios and Exercises contain a multitude of fingering patterns in related major and minor harmonies, exercises for the thumb position, and many passages of double stops, all within a melodious

Edited by Jaroslav Foltyn. For violin. Preface in Ger., Cz. ... view details

This piece uses word painting to re-tell Thomas Hardy's classic poem about an old tenor and the death of his choirmaster. The men and women are divided into two choirs; the men represent the old tenor

Telemann's 1754 chorale setting of the church hymn Christus, der ist mein Leben, based on Melchoir Vulpius' melody from the Hamburg Hymnal, is especially well suited to display his mastery in

Edited by Wilfried Fischer & Martin Schelhaas. For violin & piano reduction. Urtext Edition. Reconstructed from BWV 1056. Score, 13 p. and part.

Piano reduction edited by Vilem Blazek. Viola part revised by Jan Plichta. For viola & piano reduction. Preface in Ger., Cz. and Eng. Performance material is available on rental from the publisher.

Composed around 1760, Die Auferstehung und Himmelfahrt Jesu is one of Telemann's last large-scale vocal works. The libretto, by Karl Wilhelm Ramler, recounts the Biblical events from the

Commissioned by the internationally acclaimed ensemble VOCES8, this beautiful a cappella selection sets a text by Charles Anthony Silvestri that speaks of the beauty and fragility of nature.

This piece expresses a steadfast faith in God, and thus the central message of Dickinson's poem. The music describes feelings of trust and wonder, joy and gratitude. The piece was commissioned for the

"I asked my friend, the poet Einar Askestad, if he could write a poem for me about love between father and son, brothers and God. I felt that these forms of love are seldom sung about. The poem moved me

Antonio Vivaldi’s twelve concertos op. 4 known by the name of “La Stravaganza” were first mentioned as a collection of “Concerti a 4” in the 1711 Foreword of

Antonio Vivaldi’s twelve concertos op. 4 known by the name of “La Stravaganza” were first mentioned as a collection of “Concerti a 4” in the 1711 Foreword of