A simple original melody is presented in unison and uncluttered two-part harmony before incorporating the traditional hymn Man of Sorrows, What a Name. Each verse grows from there and varying
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Love Divine, All Loves Excelling is a text that has been sung by generations of Christians. Tom Fettke has paired it with an ardent new melody that lends the text a fresh musical expression. The
A treasured French carol is paired with new words in this lilting anthem. With a neoclassical touch, the setting maintains its exciting praise to the child in the manger throughout. "Unto us a Son is given
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Here is a fresh pairing of the beloved text Be Thou My Vision with the equally beloved tune MORECAMBE. This unusual yet perfectly suited pairing is conveyed by two-part legato voicing that
A classic text attributed to Mary, Queen of Scots forms the basis of this elegant setting which is full of contemplative harmonies and sensitively contoured melodic lines. Subtle changes in tempo and
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Master arrangers Tom Fettke and Thomas Grassi combine full choral writing with a rhythmically driven piano accompaniment in this rousing setting. With solo opportunities, singable harmonies, and a powerful
This selection presents two traditional texts in a fresh musical setting that is expressive and accessible. The flowing original melody is beautifully supported by an elegant piano accompaniment. This
With stunning simplicity, this arrangement of GOD LEADS US (Psalm 23) starts verses one and two with unison voices, adding harmony on the refrains. The flowing accompaniment provides nuance and subtle
A delicate, compassionate arrangement that includes the traditional Fanny Crosby text of Blessed Assurance, now paired with a new melody. The moving piano acompaniment is exactly what we have
Tom Fettke has expertly arranged a song by Bob Gillman (known for his hymn Bind Us Together) with the hymn tune NETTLETON. The combination of the two brings great sensitivity and compassion to this
The glowing and sublime text of a medieval manuscript serves as the inspiration for this original Christmas anthem, expressing the awe for our Savior who lies asleep in a stable.
With text from a Rhea Miller poem, this was the theme song for Billy Graham's soloist George Beverly Shea. Tom Fettke's arrangment uses the hymntune SLANE with a hint of Celtic instrumentation, and is an
This masterfully crafted and sophisticated anthem features the well-known words of Phillip P. Bliss' Lenten hymn set to an original melody. This anthem for Holy Week will create a reflective time in your
The captivating and timeless text of this piece captures the vastness of God's wonder, power, and love. After a pretty piano intro, the anthem continues with a lovely melody, well-written choral parts, and
Tom Fettke's lush a cappella choral writing is a fitting vehicle for this well-loved hymn often used in eventide and memorial services. Perfect for an advanced choral ensemble. "It is not night if Thou be
Chopin's immortal Etude in E Major serves as the inspiration for this expressive arrangement. The piano part is lush and the choral writing is accessible. Share this meaningful anthem as a
Musicality shines through in this contemplative anthem. An expressive accompaniment complements lovely harmonies and a beautiful, flowing melody. Suitable for Holy Week, the text is also appropriate as an
Overflowing with a worshipful spirit, this setting of a traditional chorus is approachable and usable for many occasions. Though simple in its core content, the craftsmanship of vocal lines and piano
This festive proclamation pairs two traditional hymns, Now Thank We All Our God and Rejoice, the Lord is King. First, the traditional text is presented with a new melody including a
A modern communion text is paired with a fresh setting of the traditional Gaelic melody BUNESSAN, with a new refrain completing the offering. Carefully crafted vocal lines encourage sensitive legato singing
Tom Fettke has combined Isaiah 53:3-5 with Beethoven's well-known slow movement from the Sonata Pathetique. The combination is a haunting setting of "Surely He hath borne our griefs." With the