Tom Molter has composed an exciting and compelling piece akin to the big-band charts inspired by the music of Pat Metheny. Apollo's Reel is set in a bright 3/4 feel with temporary shifts to a

Playable by most high school big bands, Bop of the World is equally appropriate as an opener, closer, or anything in between. Scored at the medium difficulty level, the chart sounds more

As recorded by the Oliver Nelson Orchestra on their album Berlin Dialogue for Orchestra, Checkpoint Charlie is some of Nelson's most creative writing. Full of uptempo energy, Nelson masterfully

Here's one of Neil Yorke-Slader's most imaginative compositions! The introductory chorale paints a beautiful picture of the sun rising over the north coast of Prince Edward Island. Switching gears smoothly,

As recorded by the Oliver Nelson Orchestra, Heidi is the third movement of the Impressions of Berlin suite. A gorgeous solo feature for alto saxophone throughout, this piece builds from a

Every jazz fan knows it, loves it and has wished it was in print! And now, this quintessential big-band arrangement is finally available! As recorded by the Count Basie Orchestra on their album This Time by

This burning Mike Tomaro original will make a great program choice for more experienced groups. An abundance of wonderful ensemble writing combines with a strong melodic line to create a solid foundation

Here's a dramatic and modern Thad Jones-style take on an extended blues form making for an exciting chart for everyone! Beginning with an opening glissando and punch, this chart announces itself in

Rich DeRosa has composed a fascinating, brooding, and pensive composition entitled Mixed Emotions. Set in a very contemporary feel with lush harmonies and reasonable brass ranges (the

Here's a flashback to the funky 1970s themes of Quincy Jones and Tower of Power, including optional wah-wah guitar! Each horn section gets a workout while the rhythm section percolates underneath. Solo

Sub Zero is a bright jazz shuffle in the style of New York's legendary Vanguard Jazz Orchestra. The title reflects the composer's memories of his first visit to hear the band at the Village

Scott Ragsdale puts this iconic tune through the paces as a hot samba played around 190-200 bpm! The trombones take over and grab the melody right off the top and are featured throughout with

Gordon Goodwin wrote this superb chart for a good high school jazz ensemble to be played around 126 bpm with a straight-eighth feel and a rock groove. The saxes start things off a cappella then