A dynamic a cappella world music selection featuring a call and response solo, optional improvised percussion and movement, and a divided choir option. The song is a traditional South African celebratory

This joyful American song speaks of how we will "all rise together" in the morning, reflecting on the idea of leaving the troubles of the world to embark on a better day. The hopeful text and cheerful

The traditional Irish prayer set in a very nontraditional way. Starting with a single statement of the melody above the pedal tones in the bass and tenor, this work grows in intensity as the phrase splits

Pavane Publishing is pleased to launch a new choral series under the care of Jennaya Robison. Dr. Robison of Luther College fame is a rising star as a clinician and now an arranger. Her setting of Down

Building on the popularity of Norwegian choral music, this traditional folk dancing tune utilizes "Tralling", which is a style of Norwegian folk singing that uses improvised vocal syllables inspired by

Selected for the Jonathan Talberg Series, this is a vivacious arrangement of the Spiritual, "Hold On."  John Tebay's setting is a tremendous concert closer.  Full of energy and originality, this

Written for The Wartburg Choir in celebration of the 500th anniversary of the Reformation, I Still Possess juxtaposes a vernacular quote of Martin Luther ("…whatever I have placed in God's

Beautiful, lush choral harmonies, soaring melodies, and a supportive piano accompaniment that offers constant motion and contrast to the choral parts set off an imaginative text that tells of the "celestial

Scored for three or four soprano soli, SATB choir and hang (or piano, guitar, vibraphone or other accompaniment), this piece is very tonal but has an ethereal quality about it. Opening with a drone

The angular nature of the asymmetrical rhythms and constantly changing meters brings vibrancy and momentum to this work. Shifting harmonic centers create unpredictability and surprise, and the bold,

Upbeat and exciting, for treble or mixed choirs with four hands at the piano, this contemporary setting features rhythmic syncopation in the accompaniment accenting the sparkling choral parts. The brief

This French chanson by fifteenth century composer Gilles Binchois is edited here by Matthew D. Oltman of Chanticleer fame.  This modern edition with translation highlights the interplay and contrasting

Goethe's poetry has been a source for German lieder for centuries. This text, though set many times, is given a fresh modern treatment that is beautifully expressive and unexpected. The uncomplicated a