One of The King's Singers' most frequently requested arrangements is this lush a cappella setting of Billy Joel's hit ballad. A first-rate choice for any concert program!
Developing mixed and treble choirs will enjoy performing this jazz-inflected doo-wop song, written in the 1930s but made popular in 1961 by the Marcels. With careful attention to range and voice-leading,
This Beatles song, also recorded by Blood, Sweat & Tears and Earth, Wind & Fire, is presented in a creative arrangement that's an exciting fusion of jazz and pop!
This fun vocal-jazz piece "talks" about the stylistic jazz vocal idiom. Based on the twelve-bar blues form, it offers variety and flexibility to sing call-and-response and written-out scat solos, all
Old MacDonald takes on a jazzy feel in this selection for developing choirs. "E-I-E-I-O" becomes a scat section that allows for echoing, vocal improvisation, and solo opportunities. This cute and
As a concert closer, signature piece, encore or graduation song, this a cappella original is a little gem! "Days come, days go. We try to take the time to let love grow. Don't ignore the
"Look out, old Mackie is back!" Famously covered by the likes of Louis Armstrong, Bobby Darin, and Frank Sinatra, this song has become one of the best-known jazz standards of the 20th century. This
Here is the opening song from the Pulitzer Prize-winning musical "Oklahoma!" in a unique arrangement. The positive message and contemporary jazz-influenced harmonies in this concert setting of the show tune
A jazz standard in every sense, this has received countless performances and cover recordings since 1930, including the likes of Louis Armstrong, Ella Fitzgerald, and Frank Sinatra. Versatile and lively,
Looking for a fresh perspective on our National Anthem? You'll want to consider this stunning arrangement by Darmon Meader written for The New York Voices. After an opening unison section, the setting
Unlike the original ballad heard in the operetta, this is an easy swing choral rendition placed in a key that is comfortable for developing voices, with careful attention to range and accessibility. The
Was it red? No no no. Was it brown? No no no. The famous Ella Fitzgerald rendition of a classic nursery song is a sassy, jazzy twist on the familiar lyrics. A great choice for developing jazz style in your
Purity of line and harmony focus attention on the expressive text of this beautiful ballad. Now arranged for a cappella women's voices, this classic song in a classic setting will yield a memorable