This country-blues-flavored hit from Claude Ely, Jonathan Helser, Melissa Helser, and Molly Skaggs instills the hope of everlasting life into the heart of the believer. Your choir will enjoy building the
This gospel ballad is like a country waltz, a throwback to earlier times and the simple truths of the Christian journey. Arranged in a retro style for choir, soloist, and rhythm, it has a great message with
Joy permeates this contemporary praise offering that has been recorded by Chris Tomlin. Emmanuel has come and this song celebrates that truth in a lilting 6/8 with nice rhythmic nuance. Solid choral
Who could have imagined this? Infant and the Infinite. These inspired words announce a theme of wonder and praise. The style is an interesting mix of traditional and contemporary, making a smooth journey of
Contemporary artists Ed Cash, Bear Rinehart, Bo Rinehart, and Chris Tomlin came together to create this piece inspired by the beloved Shepherd's psalm. In this arrangement, the gently syncopated choral
This fun-to-sing arrangement of an old Sunday School classic will surprise and delight the listener with a joyful display of vocal virtuosity for the elite ensemble! Hovering between urban gospel styling
"People can be free, sinners can be clean." The beautiful tune and gently syncopated rhythms add a conversational quality, culminating in a quiet reflection upon the truth that sustains us in our faith.
Enriched by well-conceived choral writing, this arrangement from Christian song charts entwines a message of spiritual confidence with reminders of God's eternal love. Idiomatic piano writing along with
Brimming over with Celtic joy, this song of praise is a reminder of God's infinite love and grace. Arranged to maintain the lilting dance-like quality of the original, this selection has wonderful energy
This gospel original features solid choral writing, invigorating key changes, and an energetic call-and-response between soloist and choir: "Who's the little Baby? He is Jesus!" Whether performed a cappella
A simple melody appears unadorned, recounting the promises of God in the Gospels. The second verse develops harmonically with parallel chords to sweep the listener up. Unapologetically Christ-centered, the