This spellbinding, free fantasia-like oratorio is thought to be the first-ever symphonic work based solely on African-American spirituals and folklore. Originally written and performed in 1919, the
William Ernest Henley's powerful text is set in an equally strong setting for tenor-bass choirs. Beginning with the opening text that is chanted with random entrances over the dramatic piano part and
The opening movement of Karl Jenkins' popular "Gloria" for mixed voices and piano.