If you are looking for a dramatic concert/festival work, be sure to look at this one! The glory of music is treated with great depth and musical-textual imagery in this deeply moving selection, which offers

A cry for peace in a world torn by war, this poignant a cappella setting of an original text is filled with striking dynamic contrasts. "Sing, Be, Live, See... This dark stormy hour, the wind, it stirs. The

"I dream a world where man no other man will scorn, where love will bless the earth and peace its paths adorn..." The introspective and contemplative lyrics of the great African-American poet Langston

"I should be glad of loneliness and hours that go on broken wings..." Based on a poem by Sara Teasdale, I Should Be Glad captures the gratitude that artists feel as they live and work each day.

The use of a djembe imparts a traditional African feeling to this easy original a cappella work. The Gatsnahos text, inspired by John Donne, has a theme of friendship and unity that all can relate to. "We

This work for eight-part double choir, composed in 1878, is one of Rheinberger's most admired works of unaccompanied choral music. Mostly homophonic in texture, it employs polyphony to highlight specific

Mozart's Requiem in D minor is one of the most well-loved choral-orchestral works from the entire Classical canon. From the Requiem comes the Lacrimosa, originally scored for choir and orchestra.

William Henry Davies' text is given a driving, rhythmic setting that encourages singer and listener alike to "sing out!" their songs of joy. The contrasting middle section is undergirded with rhythmic

The poem urges us to be jubilant and glad while the music is designed to brighten our day. A flowing piano accompaniment and a violin obbligato add special punctuation to the message.

A popular South African song of praise, the texture is dominated by three soloists who portray leadership roles in the community. Layering choral parts develop the harmonic structure, while free

This exciting work is freely based on three melodies sung by the Krahó tribe - a group of native Brazilian Indians living in the forests of northern Brazil. Percussive rhythms and vocal layers