Sizzling with celebratory rhythmic energy, this Zambian folk song loosely translates as: "Those who sing have the right to be called the children of God." The only accompanying instruments are hand drum

Just as The Dawn's Awake!, a poem by early twentieth-century poet Otto Bohanan, uses personification and vivid imagery to describe the beauty of the sunrise, Laura Farnell's music conveys the hope

Have you ever tried to ride an accelerating horse while singing solfege? That's what your singers will feel like as they negotiate their way through this quickly-paced song with only solfege syllables for

The delightful poem by Robert Frost in an equally delightful setting by Randall Thompson makes an excellent selection for more advanced treble choirs.

Beautiful, lush choral harmonies, soaring melodies, and a supportive piano accompaniment that offers constant motion and contrast to the choral parts set off an imaginative text that tells of the "celestial

A favorite among college and high school women's choirs, this selection is a tenacious, ferocious and distinctly feminine anthem of praise to the goddess Inanna. The text was written by Enheduanna, the

This outstanding setting of a traditional camp meeting song is growing in popularity as a top choice for festival choirs!

This beautiful setting of George Matheson's familiar hymn text functions perfectly in both sacred or secular settings. Here, O Love is given a fresh new melody with equally refreshing and gorgeous

One of two Tenor-Bass selections from Randall Thompson's "Frostiana," this has become a standard of choral literature for Tenor-Bass choruses for over half a century.

A rhythmic ostinato on "Veni, veni" and optional percussion (triangle, tambourine and drum) infuse the traditional Advent carol with such unrelenting energy, the effect on the listener is mesmerizing!