Michele Weir has given this 1967 pop hit by Dionne Warwick a fresh treatment for pop and jazz groups. With solo spots, cascading vocal phrases, and a contemporary keyboard part, this is creative jazz

Lush, warm contemporary jazz harmonies define this arrangement, with each vocal line featured as if they were soloists. Chord symbols are included for the accomplished jazz pianist, but the realized piano

Premiered at the National ACDA Conference in Kansas City, this work combines the different aesthetics of drought politics, dance hall dub, and youthful drive to create something that is at once as ordered