This American folk song attributed to Huddie Ledbetter (Leadbelly) has been covered and performed by countless singers and choirs. The melody is infectious and appealing, easily taught, and memorable.

Recognized for its connection to the Underground Railroad by signaling the direction north, this traditional spiritual offers many teaching moments. This exciting arrangement is rhythmic and well supported

This original a cappella spiritual expertly blends a variety of styles into an appealing package that will be a standout selection for your choir. Effectively combining spiritual, gospel, contemporary a

Following up on his stunning Lunar Lullaby, Narverud returns with another original lullaby, this time evoking a tranquil lakeside setting. The piece inspires musical sensitivity with lush harmonies

A beautiful lyrical selection, this arrangement of a traditional Ukrainian lullaby offers both flexibility and the opportunity to study the language, culture, and style. With options to perform a cappella

Triumphant strains of "Hallelu-Yah" wind and dance through various meters as they build in rhythmic excitement and texture. A contrasting middle section offers quiet lyrical reflection before resuming the

This energetic piece for treble voices sweeps listeners on a beautiful journey into the rapids of Emily Pauline Johnson's poem. Bold vocal entrances cascade into bright harmonies as the piano creates an

A stellar setting of the well-known South African folk song for developing singers with logical part-writing, stylistic rhythms, and an energized accompaniment! The optional percussion parts for shaker,

Not to be overlooked, this fusion of Cindy and The Water Is Wide is delightfully enhanced with violin. With fun harmonic writing and body percussion, this is sure to be a crowd-pleasing

This lovely setting of the O'Shaughnessy text builds slowly through its whimsical melodic development. Accompanied by a beautiful piano part, the movement in the choral lines leads to a triumphant and

Subtle choral harmonies begin peacefully as the lyrics speak of the moments at the quiet beginning of a fresh new day. Building with energy and texture, they cry "Here I am!" in an empowering call to

"Perhaps it does not begin. Perhaps it is always. ... Perhaps this day the light begins in us." Jan Richardson's rich and universal text is set with an equally compelling and musically sensitive setting

A powerful symbol of the American civil rights movement and made popular by the Freedom Riders in 1961, this hymn with reimagined lyrics replaces the name "Jesus" with "freedom" in the refrain. Audiences

This is the stand-alone third movement from the powerful suite You Are Enough, which hopes to open conversations about mental health. With a modern musical-theater quality, it expresses its