Skip the droll opening announcement about cell phones and sing this instead! Based on Pachelbel's Canon - which, face it, everyone loves - this piece will make a lovely concert opener that also serves a
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The consummate concert closer! "A sound of hope, a sound of peace, a sound that celebrates and speaks what we believe. A sound of love, a sound so strong. It's amazing what is given when we share a song.
Here's a warm and heartfelt adaptation of traditional Irish and English blessing texts. A gentle yet rhythmic piano figure supports flowing vocal lines in this memorable closer or send-off song for young
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Commissioned for a premiere performance at the Texas Music Educators Association 2000 convention, Joseph Martin's Come to the Music is alive and electric with driving rhythm, memorable melodies,
Part vocalise, part warm-up, part novelty, part concert opener - all this and more in this flexibly fun piece! Explore a variety of vocal textures and articulations, all on nonsense syllables that layer and
This energetic setting of the traditional Latin text is ideal for developing choirs. A mixed-meter introduction followed by energetic syncopation and a contrasting middle section make this a great piece for
"Now side by side we call for the dawning of a brand new day ... You're invited, come and sing united." An inspiring and uplifting anthem of togetherness wrapped in chorale-like harmonies that work in both
This energetic original employs gospel-style harmonies, a body percussion breakdown, modulations, a layered vocal stack, and a "happy day" descant that your developing singers will love.
Here's an exciting piece with a compelling melody perfect for the developing choir. The simple Latin phrases and syncopated rhythms keep singers excited and focused while bringing energy and enthusiasm to
Finally! A useful concert opener that also gets your choir warmed up! This hilarious blend of choral warm-up routines is packaged into a performance piece with piano accompaniment. Your choir will love to
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Based on the poem Dreams by Paul Laurence Dunbar, one of the first African American poets to gain national prominence and recognition, this inspiring gospel-style concert work sings of the strength
This inspirational song encourages you to find your own voice and to feel empowered to have an impact on the world. Uplifting, positive, and joyful, this song is a perfect fit for any concert or ceremony,
This arrangement of the 1967 #1 hit by the Beatles will be a popular addition to any concert with a timeless message that is even more relevant today.
Triumphant and energetic opening and closing sections fill this original work with syncopated momentum and brisk harmonic development. A contrasting middle section sings "Gaudeamus hodie" with lyrical lines
This is the dynamic final number from the Broadway hit show that has more than enough energy to be your concert finale, too. A great beat and an infectious hook will positively bring your listeners to their
A collaboration between choral icons Joseph Martin and Mark Hayes produced this inspirational concert work that would be a great opener. The music-themed text is a powerful advocate for our art form, and
A big, bold piano introduction sets the stage for this powerful and inspirational song. "Let the harmonies of freedom ring" is a message for this time and all times. The gospel feel of this original song
This vibrant, percussive original a cappella work uses both Swahili and English text to create a dynamic multicultural feature that works great as an opener or processional. The theme of "coming together to
Driving accompaniment helps fuel the excitement in this celebratory work for developing choirs. There's a contrasting legato middle section that complements the opening fanfare before returning to the
An inspired text is joined with a heartfelt melody to create a truly musical experience for mixed choirs. With sensitive vocal writing and an artistic yet supportive accompaniment, this gentle reminder of
The ebb and flow of the sea is painted beautifully in this evocative original setting of Sara Teasdale's poem. It opens with a calm and meditative section that gradually adds harmonic layers before opening
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