Florence Price (1887-1953) is noted as the first African-American female composer of symphonic works, and is only in recent years beginning to receive the recognition so richly deserved. Her Symphony

Originally written for piano, this is a lovely concert band setting of this classic piece. The melody is a moving bit of pure Americana, and the harmonies and scoring are lush and full. The perfect way to

This lyric work is a shining presentation of Price's signature style. The opening G major theme modulates to A major, featuring brief solos for violin and cello. Although short, the piece requires mature

Edited by Barbara Garvey Jackson. For piano. First printing. Includes a preface and editorial notes. Spiral bound score, 67 p.

Edited by Barbara Garvey Jackson. For piano. First printing. Titles: In the Land O' Cotton; A Day in the Life of a Washerwoman and At Our House. Includes a preface and editorial notes.

Edited by Barbara Garvey Jackson. For piano. First printing. Includes a preface and editorial notes. Spiral bound score, 51 p.

Edited by Lia Jensen-Abbott. For 2 violins, viola, cello & piano. First printing. Includes a preface by the editor. Each part as well as the score are spiral bound. Score, 89 p. and parts.

Edited by Barbara Garvey Jackson. For 2 pianos, 4 hands. First printing. Includes editorial notes. Includes two copies of the performance score. Spiral bound score, 28 p.

A reflective piece usable as prelude or offertory. A solo melody begins in the left hand then the piece moves into a chordal passage that is quiet yet complex harmonically. 

Edited by Calvert Johnson. For organ. From the series Music of Florence Beatrice Price, Vol. 5. The commentary volume contains a preface by Rae Linda Brown, an essay on Price

Edited by Barbara Garvey Jackson. For violin & piano. First printing. Titles: O Holy Lord; Sometimes I Feel Like a Motherless Child; Lord I Want to Be a Christian. Includes a preface.