The African-American Spiritual that was used as a code song that fugitive slaves used to communicate when fleeing Maryland has now been freshly arranged for Flute Choir (2 Flutes, Alto Flute, Bass Flute)

A new and unique setting of the traditional spiritual that is both exciting and energetic. The accompaniment provides an interesting contrast to the choral parts with a very different note grouping and

Edge-of-your-seat excitement! This modern take on the traditional spiritual features strong choral writing, with nice harmonic moments and interplay between voices, complemented by a spirited piano part.

"Tell ol' Pharaoh to let my people go!"  What a creative way to introduce this spiritual to your young singers!  Call-and-response vocals, lots of unison singing, a little drama, and a

The traditional spiritual is arranged here with contrasting sections, alternating between mournful, slow verses and finger snapping, and swing refrains supported by a walking-bass accompaniment. The

This unique arrangement of the beloved African-American spiritual is sure to engage singers in the history of the text. The driving melodic lines, all of which are supported by an energized, "running"

The African-American Spiritual that was used as a code song that fugitive slaves used to communicate when fleeing Maryland has now been freshly arranged for Woodwind Quartet (Flute, Oboe, Bb-Clarinet,

The African-American Spiritual that was used as a code song that fugitive slaves used to communicate when fleeing Maryland has now been freshly arranged for Saxophone Quartet (Soprano Sax, Alto Sax, Tenor

The upbeat swing treatment of this well-known spiritual contains carefully planned voice leading with some optional divisi and a supportive accompaniment. Artful chord voicings effectively showcase the rich