The African-American Spiritual that was used as a code song that fugitive slaves used to communicate when fleeing Maryland has now been freshly arranged for Woodwind Quartet (Flute, Oboe, Bb-Clarinet,
The African-American Spiritual that was used as a code song that fugitive slaves used to communicate when fleeing Maryland has now been freshly arranged for Flute Choir (2 Flutes, Alto Flute, Bass Flute)
The African-American Spiritual that was used as a code song that fugitive slaves used to communicate when fleeing Maryland has now been freshly arranged for Saxophone Quartet (Soprano Sax, Alto Sax, Tenor
"Tell ol' Pharaoh to let my people go!" What a creative way to introduce this spiritual to your young singers! Call-and-response vocals, lots of unison singing, a little drama, and a
A minimum quantity of 5 is required on this title.
The upbeat swing treatment of this well-known spiritual contains carefully planned voice leading with some optional divisi and a supportive accompaniment. Artful chord voicings effectively showcase the rich
A minimum quantity of 8 is required on this title.
Here's a traditional spiritual with a contemporary stamp that treble choirs will enjoy. The powerful storyline is sung above a driving accompaniment of piano, electric bass, and hand drum, while full
A minimum quantity of 10 is required on this title.
A minimum quantity of 6 is required on this title.
Edge-of-your-seat excitement! This modern take on the traditional spiritual features strong choral writing with nice harmonic moments and interplay between voices complemented by a spirited piano part. The
Your new favorite closer! An exciting setting of "Go Down, Moses" paired with "I've Been in the Storm So Long." This piece has it all: thick harmonies, swinging piano accompaniment, a...
Listen on SoundCloud
Go Down, Moses || B.E. Boykin
For a cappella SATB chorus, with soprano and tenor soloists.
A jazz ensemble arrangement of the Passover Song "Go Down, Moses."
This is an arrangement of Go Down, Moses for easy piano. It is in A minor and only uses the i, iv, and V chords. The only accidental is the raised leading tone G#. Learn more about Samuel