Movement 6 from "Beatitudes" that uses text from Matthew 5:8, "Blessed are the pure in heart, for they shall see God." Filled with lush harmonies and clever writing, there is a sense of peace that develops

The Last Post
(for soprano, SATB choir and orchestra OR piano)  Duration: circa 2 minutes
The Last Post originally appeared as part of the fourth and final movement of The Great War Symphony

A dynamic arrangement of this well-loved carol for choir, congregation, organ, and optional brass quintet and percussion. Perfect for church services and Christmas concerts. From the fanfare opening to the

From the Number One selling album Angel.  The choir combines with solo harp in an atmospheric, pastoral piece set against the backdrop of the Christmas story. The Shepherds, the Wise Men and the angels

The Dead Soldier
(for SATB choir and orchestra OR piano)  Duration: circa 4 minutes
The Dead Soldier originally appeared as part of the third movement of The Great War Symphony written to

A wonderful setting of the traditional carol for choir, organ, brass quintet and percussion, with congregational participation. Interesting harmonies,pedal points and a soaring descant are all a part of

This setting for choir, congregation/audience, organ, and optional brass quintet and percussion will be a thoughtful and moving addition to your Christmas service or concert. Accessible vocals with a unique

Six a cappella carols with modern texts by Andrew Hawes are in this collection. The Infant; The Shepherds and The Magi follow the structure of verse and chorus and are upbeat and full of

Movement 4 from "Revelation," Worthy Is the Lamb is a stunning reflection on this beautiful and well-known text. A great selection for concert or church choirs.

This simple version of The Lord's Prayer is taken from The Edenham Eucharist. Some unexpected key changes help to sustain the momentum, although the overriding approach is one of

The original version for solo soprano and SATB choir appeared on Patrick’s Grammy-nominated debut album Blue in Blue.  It was subsequently recorded by Hayley Westenra for her Number-One-selling

The original version for solo soprano, SATB choir and string orchestra appeared on Patrick’s Grammy-nominated debut album Blue in Blue.  Patrick subsequently produced a new arrangement for the

The profound opening words of Saint John's Gospel, used in The Word, reach back to the beginning of creation, and the music is therefore mystical and subdued  until the phrase "in him was

This arrangement of Joy to the World is a magnificent new option. Scored for choir, organ, brass, and percussion, this is a great fit for any Christmas program or service.

Countless people believe they have a guardian angel this song reflects the emotions and thoughts of a human soul as it prays to a guardian angel for comfort and healing.  The original version for solo

This is an epic work for choirs, soloists and orchestra to commemorate the centenary of the First World War. The symphony comprises four movements, each portraying the most significant events in each year

This setting of Psalm 96 was commissioned by the saxophonist Christian Forshaw.  It makes use of the lines of the original Gregorian plainsong for the psalm and the haunting sound of the baritone

Scored for solo violin, harp and strings.

For soprano & piano (or harp).  First printing.  Poem by Andrew Hawes.  Score, 3 p.

This extended major work by British composer Patrick Hawes uses the eight verses of St. Matthew's Gospel that form the beloved Beatitudes. Consisting of eight movements that range from uncomplicated to

A Christmas carol designed for little ones! The melody is easily memorable and the simple part writing makes this perfect for small children accomapanied by flowing piano patterns.

A lilting melody is introduced against which the independent choral parts call for love to pervade all that we do. A defiant middle section proclaiming that "no fear be known to us" creates cohesion and

A setting of the Eucharist for celebrant, congregation, organ and optional SATB choir. Written for the composer's church in Edenham, Lincolnshire in 1997, and originally only comprising the Gloria, Sanctus