The "Prelude and Fugue" (The Spitfire) by William Walton represents the first in a series of Concert Band arrangements by Paul Noble under a License Agreement with Oxford University Press. The music,

This arrangement is compatible with the published vocal score and can be performed with or without chorus. The choral parts are included in the score for reference, but are not a part of the set.

This piece was written as a final encore at Christmas concerts when the audience simply refused to go home! This arrangement includes the choral part in the score for reference, but not as part of the set.

This familiar Easter hymn is introduced with a chorale prelude of fanfare, power, and delicacy, typical of John Rutter's magnificent compositions. Arranged for combined chorus and wind band, the piece may

This beautiful and unique arrangement of the familiar hymn quotes briefly from Handel's "Messiah," which gives a dramatic freshness to the piece known the world over. The arrangement is written and intended

John Rutter created a delightful rendition of this notable carol, originally published as an a capella choral piece. It has been arranged here as an equally delightful adaptation for combined concert band

These three magnificent compositions have been combined into a suite of three movements. The first movement is written for antiphonal brass, with the trumpets and trombones playing from the rear or balcony

This setting for concert band includes Star Carol; The Colours of Christmas; Donkey Carol; What Sweeter Music; Shepherd's Pipe Carol and Tomorrow Shall Be My Dancing Day. These

Perhaps John Rutter's most famous and popular carol has been here arranged for performance with combined band and chorus, but it can also be performed by band alone. The choral part is shown in the

John Rutter made this setting of the English folk song for The Bach Choir in 1977. The choral part is shown in the score for reference but is not included in the set. The arrangement is compatible with the

John Rutter's Christmas Lullaby was commissioned by The Bach Choir in 1989 to celebrate the 70th birthday of their conductor, Sir David Willcocks. The choral parts are included in the score for

The luscious sounds of this piece match the beauty and gentleness of the text, with words and music by John Rutter. The choral part is shown in the score for reference but is not included as a part of the

Portsmouth Point is an overture originally composed in 1925 for orchestra by the English composer William Walton. The work was inspired by the well-known painting depicting Portsmouth Point by

This version of John Rutter's Distant Land is adapted from the original orchestra/chorus score and is written for combined wind band and chorus, but it may also be performed by wind band

Originally written as a choral piece inspired by the release of Nelson Mandela from prison, composer John Rutter was encouraged to make a purely orchestral version from which this concert band arrangement

One of John Rutter's most popular carol arrangements has been arranged for band and SSA chorus. It is intended to be performed by combined band and chorus; however, it can be performed by band alone. The

This third John Rutter medley includes Rejoice and Be Merry; Magical Kingdom; Jesus Child; Dormi, Jesu; Deck the Hall and I Wish You Christmas. This medley features optional handbells,

From the Feel the Spirit collection of seven spirituals originally arranged for mezzo-soprano, choir and orchestra, this classic is arranged here for mezzo-soprano, choir and concert band but can

From the Feel the Spirit collection of seven spirituals originally arranged for mezzo-soprano, choir and orchestra, this classic is arranged here for mezzo-soprano, choir and concert band but can

From the Feel the Spirit collection of seven spirituals originally arranged for mezzo-soprano, choir and orchestra, this classic is arranged here for mezzo-soprano, choir and concert band but can be