This rousing rendition of the well-known spiritual begins slowly and crescendos into a jubilant exhortation to let your light shine. There are two versions of this piece: one is SATB divisi acapella in F;

A stirring text by Shirley Erena Murray speaks to God's inclusive spirit and our need to be creators of justice. With music by Tom Trenney, it is available in several different voicings, has an effective,

This soulful setting of an original text invokes a gospel music tradition, preaching its text through declamation and bluesy harmonies: "God wouldn't bring you this far to leave you; no height nor depth nor

A remarkable, radiant setting of Kathleen Thomerson's beloved hymn tune HOUSTON. Trenney's superb craftsmanship shines through and sets this arrangement above the norm. An excellent anthem of general

Preaching the gospel of justice, this original setting opens and closes with a narrative vocal solo that flows easily in and out of the choral texture. The piano has an improvisatory feel, and the text is

The Scottish hymn tune KELVINGROVE has become strongly associated with this unique text, The Summons by John Bell and Graham Maule of the Iona Community. Tom Trenney has penned an accessible yet

The tune FOUNDATION is put through its paces with five verses that includes unison, two-part women then men, a three-part round, and concludes with full forces including descant. The congregation may be

The beloved American freedom song has been expertly and inspiringly set here by Tom Trenney. The original song was first written for a service celebrating the legacy of Martin Luther King Jr.  This

The traditional hymn tune Solid Rock is given a gospel piano accompaniment as only composer Tom Trenney can write. Highlights of the piece include a contrasting original stanza in the relative

This fresh setting of the beloved hymn has unique treatments of the refrain and uses rich textures and harmonies to bring the text alive in a new way for your choir and congregation. An optional obbligato

If you want a large scale, tour-de-force setting of this beloved carol, search no further. For SATB choir, brass quintet, handbells, percussion, timpani and organ, this music sparkles in a grand way.

Featuring a soloist, and with substantial choral parts, this piece makes use of contemporary harmonies to create a powerful ballad. The musical interplay between the choir and soloist is just gorgeous. This

This setting of the Thomas Troeger text reminds us of the power of music to connect heaven to earth and that the greatest cause for singing is the resurrection. Its opening "alleluias" are woven in a

The message of the recurring refrain, "Let's see what love can do to mend a broken world," is both timely and timeless. The text contrasts what the world sees with how things could be, counseling unity over

This very compelling SATB piece by Tom Trenney takes the youthful yet timeless position, "everything old has become new." Now spacious, now rhythmic, the music is fun to sing and moderately challenging. The

Earnest and reassuring, this anthem is a true reflection of the man honored in its dedication - Fred M. Rogers. Tom Trenney's lovely arrangement features a beautiful partner melody and an opportunity for

"Praise the one true love incarnate, Christ, who suffered in our place." This stirring choral statement recounts the attributes and deeds of the Savior, colored with a very subtle Celtic hymn flavor.

This joyous Easter anthem with a brilliant organ accompaniment is based on a combination of original text and a text by Charles Wesley. 

This large-scale anthem creatively adapts the text O God, Our Help in Ages Past and pairs it with exciting original music that incorporates fragments of the tune ST. ANNE. A soaring melodic refrain

This festive work opens with the choir taking the part of the angels, singing "Be not afraid!" The first four notes of the piece become a recurring refrain, soaring angelically until the audience finally

This festive setting of Zephaniah 3:14-17 for organ and optional brass quintet with timpani reminds us that God is always with us. Bringing a joyful message that is appropriate for general use during the

For SATB and piano, this original setting of Maya Angelou's poem Prayer is in a soulful 6/8. Beginning with a series of thanks, the piece has a slower middle section with a series of petitions,

Maya Angelou's poem Touched by an Angel is elegantly represented by the treatment of the text by the voice and the expressiveness of the piano accompaniment. The vocal writing successfully tracks

Based upon the traditional Cameroon tune, HE CAME DOWN, with additional text from traditional Charles Wesley hymns, Like Him We Rise is appropriate for any time of year. At times echoing the words