This rousing rendition of the well-known spiritual begins slowly and crescendos into a jubilant exhortation to let your light shine. There are two versions of this piece: one is SATB divisi acapella in F;

A remarkable, radiant setting of Kathleen Thomerson's beloved hymn tune HOUSTON. Trenney's superb craftsmanship shines through and sets this arrangement above the norm. An excellent anthem of general

The Scottish hymn tune KELVINGROVE has become strongly associated with this unique text, The Summons by John Bell and Graham Maule of the Iona Community. Tom Trenney has penned an accessible yet

The traditional hymn tune Solid Rock is given a gospel piano accompaniment as only composer Tom Trenney can write. Highlights of the piece include a contrasting original stanza in the relative

If you want a large scale, tour-de-force setting of this beloved carol, search no further. For SATB choir, brass quintet, handbells, percussion, timpani and organ, this music sparkles in a grand way.

Featuring a soloist, and with substantial choral parts, this piece makes use of contemporary harmonies to create a powerful ballad. The musical interplay between the choir and soloist is just gorgeous. This

This setting of the Thomas Troeger text reminds us of the power of music to connect heaven to earth and that the greatest cause for singing is the resurrection. Its opening "alleluias" are woven in a

This very compelling SATB piece by Tom Trenney takes the youthful yet timeless position, "everything old has become new." Now spacious, now rhythmic, the music is fun to sing and moderately challenging. The

"Praise the one true love incarnate, Christ, who suffered in our place." This stirring choral statement recounts the attributes and deeds of the Savior, colored with a very subtle Celtic hymn flavor.

This festive work opens with the choir taking the part of the angels, singing "Be not afraid!" The first four notes of the piece become a recurring refrain, soaring angelically until the audience finally

For SATB and piano, this original setting of Maya Angelou's poem Prayer is in a soulful 6/8. Beginning with a series of thanks, the piece has a slower middle section with a series of petitions,

This festive setting of Zephaniah 3:14-17 for organ and optional brass quintet with timpani reminds us that God is always with us. Bringing a joyful message that is appropriate for general use during the

Maya Angelou's poem Touched by an Angel is elegantly represented by the treatment of the text by the voice and the expressiveness of the piano accompaniment. The vocal writing successfully tracks

Based upon the traditional Cameroon tune, HE CAME DOWN, with additional text from traditional Charles Wesley hymns, Like Him We Rise is appropriate for any time of year. At times echoing the words

This remarkable arrangement is an easy but striking congregational hymn setting of the tune RUSTINGTON to a text by Shirley Erena Murray. Stanzas one and three are in unison (three with descanting "ahs").

The familiar hymn tune NETTLETON receives a fresh new treatment with soaring vocals woven into a beautiful tapestry and complemented by an arpeggiated piano accompaniment. The melody is altered occasionally

Masterful adaptations of some perennial favorites, this vocal solo collection will be useful now and throughout the church year. Many of the selections are adaptations of Trenney's popular choral anthems

The traditional hymn tune SOLID ROCK is given a gospel piano accompaniment as only composer Tom Trenney can write. Highlights of the piece include a contrasting original stanza in the relative minor and a

Imaginative text painting brings added depth to this well-loved carol. Lyrical writing is mixed with lush chordal harmonies along with a full piano accompaniment or optional instrumental setting. The final

This beautiful new piece from Tom Trenney offers a unique and diverse musical setting of a powerful prayer for light, love and unity. An organic piano accompaniment knits the harmonic and thematic sections

The traditional hymn text is paired with rhythmic and melodic changes to the traditional hymn tune AURELIA. This original material makes the setting feel uplifting and joyful.  The final verse uses the