This new arrangement of the beloved American folk song Shenandoah is built on a rhythmic vocal ostinato which provides the backdrop and energy for the soaring vocal line, casting this familiar tune

The beloved Latin text is set in an elegantly simple texture with conservative ranges. Straightforward rhythms and moments of release create a tapestry of sound that surrounds the chant line. In a variety

After a calm start in this fourth movement from For a Breath of Ecstasy, a rhythmic motive begins in the bass clef of the accompaniment and intensifies as the singers enter with the first statement

A rhythmic ostinato on "Veni, veni" and optional percussion (triangle, tambourine and drum) infuse the traditional Advent carol with such unrelenting energy, the effect on the listener is mesmerizing!

Now available for mixed, treble, or male choirs, this original work contains lyric, legato vocal lines which unfold to reveal a subtle interplay between voices, interwoven with piano and an optional

The beloved Latin text is set in an elegantly simple texture with conservative ranges. Straightforward rhythms and moments of release create a tapestry of sound that surrounds the chant line. In a variety

Inspired by Psalm 133, composer Michael John Trotta has written a lovely a cappella piece that celebrates the unity of brotherhood among all people. This calm, sonorous work is the perfect choice for a

This energetic original work is a testament that "Love conquers all, therefore let us surrender to love!" In Latin, with pronunciation guide and translation included, this festival work may be performed a

This energetic choral work offers an introduction to the traditional Latin text with compound meter and accessible choral parts. Whether chosen for its educational features, its lyric melody, or its

This rousing setting of G.K. Chesterton's text for tenor-bass choirs opens with a haunting unison melody and the text, "I come to autumn, where all the leaves are gold!" The French horn part makes this work

With strong themes of dignity, respect, and integrity, Henry Wadsworth Longfellow's text is crafted into a powerful and singable piece for tenor-bass choirs. It is a reminder that the footprints we leave

Conservative vocal lines combine with a spirited accompaniment to capture the energetic spirit of Walt Whitman's Leaves of Grass, making this work an attractive piece for a wide variety of mixed or

A new setting of a traditional poem, this work juxtaposes simple melodic beauty with a wider harmonic palette in the interior sections. These interior sections can be performed with the optional piano part

This piece hints of the drama of the sea with rolling and weaving melodies in the undulating piano accompaniment. Small vocal ranges and the effective use of unison, two-part harmonies, and a descant propel

Beginning with an ominous ostinato from the choir, "dum digga digga dum," this piece sets Stephen Crane's short but vivid poem describing the invasion of a fast-approaching enemy army. An engaging concert

Using imagery to describe new beginnings as the earth slowly comes to life, this lovely original work offers the opportunity for tenor-bass choirs to sing with great emotion and feeling.

Tenor-bass and treble choirs of all ages will relish singing these gorgeous harmonies with the traditional Latin text. With the option to sing a cappella or with a supportive piano accompaniment, the

This favorite carol is presented in an arrangement designed with changing voice emerging tenor-bass singers in mind, and they are sure to love it! The melody is shared between the voices, and the drum-motif

Here's a vibrant, rhythmic setting of PERSONENT HODIE that expresses the tune in compound meter, resulting in a joyful energy for the singers. The optional hand drum and finger cymbals complement the

Boldly sensitive, this is a must-sing! Bringing innovative and interesting writing to this setting of Alfred Lord Tennyson's inspiring and beloved text, this is a great choice for tenor-bass choirs looking

Clever and concise, these accessible arrangements of I Saw Three Ships and We Three Kings are perfect for the unchanged voices in your choir or tenor-bass ensemble. Ample unison,

Especially designed for young tenors and basses with changing voices, this arrangement offers the option to sing in unison throughout or to add the written parts on the third verse that begin in canon and

Ashley Dame's text depicts the Viking Age: a time of battle and conquest, when brave mariners ventured forth to create, protect, and defend their new homes and lives. Written specifically to provide a