Michael Trotta has adapted a 19th century hymn text to create a powerful plea for hope in times of loss or uncertainty. Occasionally referencing Sibelius's Be Still My Soul, it is scored for SATB a
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This inspirational text by Henry Wadsworth Longfellow is framed with a rhythmic ostinato in a crisp a cappella setting. The piece may be performed SSA with optional solo or SSAA with equally divided voices,
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This beautiful setting of Silent Night employs the original text with new music scored for SATB a cappella voices and optional descant. Color reigns supreme as the text is almost treated in a
In this fourth movement from For a Breath of Ecstasy, the instrumental introduction leads to a completely a cappella setting of this Sara Teasdale text. This movement is slow, lyrical and hymn
This energetic original work is a testament that "Love conquers all, therefore let us surrender to love!" In Latin, with pronunciation guide and translation included, this festival work may be performed a
A rhythmic ostinato on "Veni, veni" and optional percussion (triangle, tambourine and drum) infuse the traditional Advent carol with such unrelenting energy, the effect on the listener is mesmerizing!
"May the roads rise up to meet you, may the winds be always at your back... until we meet again." This is a lovely a cappella choral texture with straightforward rhythms and close harmonies. Whether chosen
Dayenu, a Hebrew song that is traditionally part of Passover, roughly translates to "it would have been enough." Conceived in a modern a cappella setting with optional solos and tenor section
The exciting rhythmic underpinning of the choir lays a energetic foundation for a enchanting melody that breathes life into a timeless text. The piece highlights the text "when all hate is turned to love,
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