The beloved Latin text is set in an elegantly simple texture with conservative ranges. Straightforward rhythms and moments of release create a tapestry of sound that surrounds the chant line. In a variety

Rhythmic ostinatos, cluster harmonies, and soaring soprano lines are all present in this exciting a cappella concert work, possessing all the elements you'd expect from the composer of Veni, Veni

A work for choir, brass quintet, organ, timpani, and cymbals, this setting of the Gloria delivers a tapestry of melodic richness and rhythmic energy. A strong sense of architecture guides the listener

Requiem is a powerfully appealing, tender exploration of love and loss. Grounded in tradition while incorporating a present-day harmonic language, two Gregorian chant motives... view details

This final movement from For a Breath of Ecstasy begins rhythmically as the first movement did. In fact, the writing touches on moods and motives in many of the other six movements, although the

This is the sixth movement of For a Breath of Ectasy and is scored for SATB chorus, oboe, and string quartet or piano. Using a lush accompaniment and homophonic choral writing, the music

In this fourth movement from For a Breath of Ecstasy, the instrumental introduction leads to a completely a cappella setting of this Sara Teasdale text. This movement is slow, lyrical and hymn

After a calm start in this fourth movement from For a Breath of Ecstasy, a rhythmic motive begins in the bass clef of the accompaniment and intensifies as the singers enter with the first statement

This majestic and triumphant work for Christmas heralds the coming of the King of Peace into a troubled world. Quoting a medieval carol, this piece is a wonderful concert processional or closer. It can be

This majestic and triumphant work for Christmas heralds the coming of the King of Peace into a troubled world. Quoting a medieval carol, this piece is a wonderful concert processional or closer. It can be

A simple prayer of a servant, this a cappella work masterfully captures Mary's response to the angel Gabriel. "Behold, I am the servant of the Lord. May it be done to me according to your will." A

"May the roads rise up to meet you, may the winds be always at your back... until we meet again." Available in a cappella and accompanied versions, the lovely choral texture utilizes straightforward rhythms

This first movement from For a Breath of Ecstasy has accessible choral parts and a very active accompaniment to open, representing the "my thoughts" part of the text. A contrasting middle section

Each of the movements in this work chronicles Teasdale's search for solace amid life's many storms. The tapestry of different vocal forces set against the backdrop of oboe and strings reveals moments of

This unaccompanied piece contrasts a simple unison motif with quick ostinato in the lower voices. The homophonic refrain clearly declaims, "All forces have been steadily employed to complete

Lush harmonies and vivid imagery create a absolutely gorgeous a cappella setting of Margaret Deland's text which depicts the Christmas story from the point of view of the shepherds calmly sleeping and being

This second movement from For a Breath of Ecstasy is a cappella except for a short introduction and coda. The texture includes a soprano descant in the first and last sections. The middle section

A dynamic a cappella original with a festival feel! The opening chordal style introduces a jubilant motive in the upper voices that gives a solid foundation for the contrasting bass part. A contrasting

Straightforward rhythms, dissonances, and close harmonies depict the clear and radiant divine essence of this a cappella meditation on the angel Gabriel's greeting to Mary. A poetic translation is included,

"O light born of light." This traditional Latin text shimmers in a stunning a cappella setting with thoughtful voice leading and cluster harmonies. Accessible enough for concert or service use, it will make

Soaring melodic lines combine with a lush harmonic palette to deliver a poignant reflection in this 21-minute reflection on coming of age, maturity, and perspective. This five-movement work is a shimmering

A wonderfully expressive a cappella setting of the traditional Christmas text. Carefully prepared dissonances and use of close harmonies thoughtfully paint the text as a sense of awe and wonder permeate the