This second movement from For a Breath of Ecstasy is a cappella except for a short introduction and coda. The texture includes a soprano descant in the first and last sections. The middle section
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Each of the movements in this work chronicles Teasdale's search for solace amid life's many storms. The tapestry of different vocal forces set against the backdrop of oboe and strings reveals moments of
Here is a gentle a cappella setting of the traditional prayer to Mary. The texture is chordal throughout, with occasional sharp dissonances to add a shimmering effect. For directors with a capable soprano
The Salve Regina, also known as the Hail Holy Queen, is a Marian hymn and one of four Marian antiphons sung at different seasons within the liturgical calendar of the Catholic Church. The
A wonderful opportunity to show off your solo stops, this prelude and toccata features themes from the larger work Light Shines in the Darkness. It may be used either in conjunction with the larger work, in
The harmonic language of this setting of Amazing Grace portrays a feeling of mystery and awe. Completely original music is matched with this most familiar text to create an experience that feels
Elegant simplicity is the hallmark of this work that is sure to be a favorite in both worship and concert settings. This time-honored text from the Old Testament reflects on the wonder of discovering that
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This beautiful setting of Silent Night employs the original text with new music scored for SATB a cappella voices and optional descant. Color reigns supreme as the text is almost treated in a
Written for the Jacksonville Children's Chorus, this SSAA setting of a Sara Teasdale text opens with a sort of call and response between the voices. The music then transitions to a contrasting key and a
Is it in 6/8, 2/4, or 7/8? One thing's for sure, your choir will have a great time figuring it out! Presented with a lot of lilt and flair, this mixed-meter setting of a favorite carol is a fantastic
Trotta's fiery setting of Manrique's passionate, poignant Spanish poem is uniquely coupled with an exciting, undulating accompaniment. In addition to exploring multiple tonal colors, it allows for
A wonderful introduction to the fugue, this work for choir may be performed with the keyboard reduction or a cappella.
A dynamic a cappella original with a festival feel! The opening chordal style introduces a jubilant motive in the upper voices that gives a solid foundation for the contrasting bass part. A contrasting
Following his successful settings of Kyrie and Gloria for treble voices, Dr. Trotta delivers a third movement from the Missa Brevis with Agnus Dei. Each setting has been
Conservative vocal lines combine with a spirited accompaniment to capture the energetic spirit of Walt Whitman's Leaves of Grass, making this work an attractive piece for a wide variety of mixed or
Conceived as a dialogue between old and new and associated with the Christmas season, this work is suitable for year-round performance. The light and buoyant treatment of the familiar melody grows and
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Written for the Jacksonville Children's Chorus, this SSAA setting of a Sara Teasdale text is set completely for unaccompanied voices. The text, "Peace flows into me…," is introduced on a single note,
Now available for mixed, treble, or male choirs, this original work contains lyric, legato vocal lines which unfold to reveal a subtle interplay between voices, interwoven with piano and an optional
In this fourth movement from For a Breath of Ecstasy, the instrumental introduction leads to a completely a cappella setting of this Sara Teasdale text. This movement is slow, lyrical and hymn
After a calm start in this fourth movement from For a Breath of Ecstasy, a rhythmic motive begins in the bass clef of the accompaniment and intensifies as the singers enter with the first statement
The contrast between the cold of winter and the warm rays of light found in nature at this time of year make this ideal for emerging choirs looking for secular seasonal repertoire. Conservative vocal
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