Every ensemble, no matter its size, occasionally needs a well-crafted 2-3 octave piece. This arrangement is imaginative yet easy to put together, with imitative writing and full harmonies. This popular

This lovely arrangement of the tune WARUM SOLLT ICH MICH DENN GRAMEN begins thoughtfully with quiet excitement, builds to a climax, and ends in hushed awe, making a wonderful opportunity for expressive

This chorale-based arrangement is beautiful. A walking bass line and chimes are used to add variety and interest. While the piece is not challenging, it is a joy to hear and play. Be sure to listen and

This is a fantastic level 2 arrangement of a familiar sacred tune. All positions will be active throughout, but the arranger groups low bells and high bells to add variety. Musically satisfying yet not

This well-known vocal composition has been artfully arranged for handbells by Patricia Hurlbutt. Key changes, accidentals, and rhythms will challenge your ringers. This piece will enhance any Lenten or

This favorite spiritual has been given a fresh and upbeat treatment in this creative arrangement. It is rhythmic, jaunty, and features mostly ringing throughout with a few thumb damps and marts added to

This arrangement combines three early 20th-century novelty tunes: Where’s That Dog-gone, Dog-gone Dog of Mine?; O Where, O Where Has My Little Dog Gone? and the children's tune

This joyous, straightforward processional is appropriate for worship or concert. It begins in G major which leads to continuing the main theme in B-flat major. The B section features handchimes in G minor

Lively and with a joyous sense of celebration, this traditional song from Tanzania will be a divine addition to any Easter celebration. Handbell musicians will enjoy the driving rhythm, while worshippers

A familiar Advent hymn paired with two unexpected tunes: a German chorale, ERSCHIENEN IST DER HERRLICH TAG, and an English folk tune, DEO GRACIAS. The musical paring gives the words new life and depth in

This traditional English carol is creatively arranged with enough musical substance to engage advanced choirs, yet it is very accessible for late-beginning ensembles. The melody moves throughout the group,

An arrangement of this Yiddish folk tune provides something different for your ensemble this holiday season. Flowing lines and simple rhythms give way to moving 16ths on the last verse, providing ensembles

This delicate setting of the tune NEUMARK is an excellent choice for any contemplative moment during worship. Flowing treble eighth notes underpin most of the piece while the melody peers through in the low

This setting of the familiar hymn I Need Thee Every Hour is set for 3-octave handbells and 2-octave handchimes. Simple, plaintive and serene, this arrangement offers a lovely composition for your

Using John Goss' tune LAUDA ANIMA, Patricia Hurlbutt has created a strong piece for 3-5 octave handbells. Key shifts, malleted bells and joyous scale passages bring this beloved hymn to life. This

For use on Christ the King Sunday, Easter, or any general service, this festive arrangement of DARWALL'S 148TH is as much fun to ring as it is to hear!  Joyous arpeggios give way to a chordal treatment

This arrangement of the tune LLANFAIR is given a joyful and bright treatment worthy of Easter! Opening as a fugal presentation of the tune before blooming into the full choir, the midsection uses

This arrangement of the tune ADESTE FIDELES is a fun, fresh treatment in 3/4 time. Techniques such as echoes, shakes, marts, and swings help create and build energy.

This engaging hymn tune has been developed with several stylistic variations including a playful, dance-like section, a waltz, and a con fuoco section featuring the melody in the bass, all leading to a

This favorite and familiar spiritual is mostly rung throughout, with a few LVs and some malleted bass and well-placed dynamics for a nice variety of sound. Some chromatic passages may be a bit of a