This setting for concert band includes Star Carol; The Colours of Christmas; Donkey Carol; What Sweeter Music; Shepherd's Pipe Carol and Tomorrow Shall Be My Dancing Day. These

Arranged for optional audience and/or choir participation.  Opening with John Rutter's famous fanfare on "O Come, all ye Faithful", the medley also includes "Joy to the World", "God rest ye merry,

This third John Rutter medley includes Rejoice and Be Merry; Magical Kingdom; Jesus Child; Dormi, Jesu; Deck the Hall and I Wish You Christmas. This medley features optional handbells,

This second John Rutter Christmas medley arranged for band includes an exciting setting of a Ding Dong! Merrily on High; The Very Best Time of Year; I Saw Three Ships;

John Rutter's Requiem is a musical setting of parts of the Latin Requiem with added psalms and biblical verses in English, completed in 1985. This arrangement is scored for soprano, mixed choir and

Gloria is one of John Rutter's most ambitious concert works. The composer sees this work as analogous to a symphony, with its three movements allegro vivace, andante, vivace e ritmico - i.e. fast,

Suite Antique is a 1979 concertante work by John Rutter that is written for harpsichord, flute and string orchestra. Rutter composed the piece, in six movements, for a concert at which Bach's fifth

This work displays another of John Rutter's gorgeous melodies and is a profoundly moving piece. The arrangement is written for concert band and chorus but may be performed by concert band alone. The choral

This work represents something new in the composer's work as it was conceived for a children's choir alongside an adult mixed choir, two soloists, and orchestra (now band). The children's choir adds a

The Latin text of this lullaby has been known and admired for centuries. John Rutter's choral setting has been arranged here for combined concert band and chorus but may be performed by concert band alone.

The luscious sounds of this piece match the beauty and gentleness of the text, with words and music by John Rutter. The choral part is shown in the score for reference but is not included as a part of the

Perhaps John Rutter's most famous and popular carol has been here arranged for performance with combined band and chorus, but it can also be performed by band alone. The choral part is shown in the

This beautiful and unique arrangement of the familiar hymn quotes briefly from Handel's "Messiah," which gives a dramatic freshness to the piece known the world over. The arrangement is written and intended

This piece was written as a final encore at Christmas concerts when the audience simply refused to go home! This arrangement includes the choral part in the score for reference, but not as part of the set.

This arrangement is compatible with the published vocal score and can be performed with or without chorus. The choral parts are included in the score for reference, but are not a part of the set.

This traditional French carol dates from the late 15th to early 16th century. The song was long ago translated into English as Sing We Now of Christmas; the word "nouvelet" has the same root as

This an English Christmas carol that enumerates in the manner of a cumulative song a series of grand gifts given on each of the twelve days of Christmas The tune commonly associated with it is derived from

John Rutter's Christmas Lullaby was commissioned by The Bach Choir in 1989 to celebrate the 70th birthday of their conductor, Sir David Willcocks. The choral parts are included in the score for

With words and music written by John Rutter, this is one of his earlier and frequently performed carols for Christmas. The beauty and simplicity lends itself to concert band instrumentation offering a

This familiar Easter hymn is introduced with a chorale prelude of fanfare, power, and delicacy, typical of John Rutter's magnificent compositions. Arranged for combined chorus and wind band, the piece may

From the Feel the Spirit collection of seven spirituals originally arranged for mezzo-soprano, choir and orchestra, this classic is arranged here for mezzo-soprano, choir and concert band but can

From the Feel the Spirit collection of seven spirituals originally arranged for mezzo-soprano, choir and orchestra, this classic is arranged here for mezzo-soprano, choir and concert band but can

From the Feel the Spirit collection of seven spirituals originally arranged for mezzo-soprano, choir and orchestra, this classic is arranged here for mezzo-soprano, choir and concert band but can be

From the Feel the Spirit collection of seven spirituals originally arranged for mezzo-soprano, choir and orchestra, this classic is arranged here for mezzo-soprano, choir and concert band but can