In this emotional new ballad from Mark Miller and Lindy Thompson, we ponder the possibility that God would choose to use us, broken as we are, to bless and heal others. The setting begins from that
This anthem has all you've come to expect from Mark Miller: resonant lyrics combined with a soulful melody. Mixed choirs of all ages and sizes will enjoy singing this Gospel ballad. The bridge brings the
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Mark Miller's flowing SATB Pentecost anthem has a simple but effective piano part that accompanies lyrical and approachable choral writing. The choral texture varies by stanza, opening with a solo. The
Four simple words form the healing message of this song: "More love, less hate." Choirs of all levels in school, community and church will enjoy lifting up their audiences with such a powerful expression of
Mark Miller's simplistic, minor-key setting of a beautiful Christina Rossetti text makes Christ is Born a gem. Mainly composed with SAB choirs in mind, it includes optional bass notes.
In times of uncertainty and hopelessness, this stirring composition reminds us to be essential instruments of peace. This uplifting and empowering anthem is musically solid and a powerful ministry tool. Not
A compelling new piece from the talented duo of Mark Miller and Lindy Thompson. Thompson's earnest text compels communities of faith to respond to hatred and injustice with a singular prayer: "Show us how
Written in lyric style, this beautiful choral can be used for any occasion. The sentiment of the text "I believe in the sun, even when it's not shining" springs forth with inspiration and sends thoughts
In How Long?, voices plead for an answer to injustice and lament the struggle of waiting. This short, powerful anthem can be woven into a litany or used as an effective prayer response. It is well
Although the first hit recording of this enduring standard was by the Glenn Miller Orchestra in 1940, Hoagy Carmichael's The Nearness of You has remained popular through the ages with recordings by
"Face to Face (Peter’s Song)” was written by Mark Harris, Michael O’Brien, and Thomas Miller. With a moving vocal arrangement by Kelly Allsopp and Louisa Wright, and lyrics written from
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