Commissioned by Gareth Malone for BBC TV's The Choir. First performed by Malone and The Military Wives Choir as part of The Royal British Legion's Festival of Remembrance in November 2011. May be
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This composition is dedicated to Christopher Bell and the National Youth Choir of Scotland's National Boys Choir. It was premiered by them on BBC One's Songs of Praise on St. Andrew Day, 2012.
This a cappella setting of the Maundy Thursday Latin hymn Ubi Caritas was composed for the royal wedding of Prince William and Miss Catherine Middleton. It was first performed by the Choirs of
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The fourth of a set of four madrigals on rose texts. The other madrigals in the seat are: Now sleeps the crimson pedal; Lady, When I behold the Roses Sprouting; Upon a bank with roses set about. SATB
This setting of Fletcher's deeply moving 16th century text is marked by molto espressivo word painting and striking dynamic contrast. Dedicated to and first performed by Joshua Copeland and the Antioch
For SATB chorus, trumpet, percussion, piano & strings (piano reduction). First printing. Commissioned by the Royal British Legion Festival of Remembrance 2014. Premiered by the Choir of Royal Holloway
For SATB chorus, solo soprano, harp (or piano) and strings. This work is dedicated to the composer's grandparents and was premiered by the St. Andrews Chorus and Heisenberg Ensemble in November 2010. The
A setting of Lord Byron's “She walks in beauty,” written for Octavoce. Scored for SATB divisi chorus unaccompanied.
This work for unaccompanied SATB divisi chorus with tubular bells was included on the album A Tender Light, recorded by Tenebrae.
With a sentimental text about the abundance of love at Christmastime, this work for upper voices and piano will warm the hearts of all who hear it.
The warmth of the lyrics in this poem by E.E. Cummings is reflected in this lovely and moving arrangement for a cappella voices.
Written for SATB choir (divisi), baritone solo and piano reduction. This work was commissioned by the Sound Festival and premiered by the National Youth Choir of Scotland and the National Youth Orchestra of
For treble, soprano and bass soloists, children's chorus, SATB chorus, brass & organ. First printing. Commissioned by JAM, St. Davids Cathedral Festival and Edinburgh Royal Choral
Jubilate Deo is a work by Paul Mealor for SATB Choir and Orchestra, commissioned by Distinguished Concerts International New York and first performed by the Choir and Orchestra of DCINY at Carnegie
For solo soprano and baritone, SATB choir, harp, piano, percussion & strings. First printing. Premiered at St. Machar's Cathedral in Aberdeen, November 19, 2015. Includes texts in Latin and English.
This work was commissioned by the 2012 Royal School of Church Music Canterbury Area Cathedral Festival to mark 150 years since the first such event in Canterbury Cathedral, 1862. A joyful and triumphant
Commissioned by the University of Aberdeen to celebrate the 500th anniversary of the consecration of King's College Chapel and premiered by Polyphony. For SATB divisi chorus unaccompanied.
The third of a set of four madrigals on rose texts. The other madrigals in the seat are: Now sleeps the crimson pedal; Lady, When I behold the Roses Sprouting; A spotless Rose. SATB divisi.
A collection featuring several of Paul Mealor's most popular works, as well as some of his more recent pieces. This collection follows the matching folio to the bestselling Decca album.
Sounds and Sweet Airs is a work by Paul Mealor for SATB Choir with hand-held Percussion and Accordion set to a text from Shakespeare's The Tempest. Commissioned by Ty Cerdd for the National Youth Choir of
Written for the wedding of friends of the composer, Peace is a beautiful setting of the well-known prayer of St. Francis of Assisi.
First performed by Caritas, conducted by the composer, at Crathie Kirk, Balmoral, in the presence of HM Queen Elizabeth II. A short, lovely benediction.
This gently flowing setting of Wilson L. Johnson's text of togetherness is an approachable concert piece for young mixed choirs. Simple rhythms and repeated melodic motives that are shared between the
This piece was commissioned for and dedicated to the memory of Barbara Budd. It was first performed in Winchester Cathedral in 2012. Lovely colors and divided sonorities build walls of sound to highlight