Sarah MacDonald wrote this set of treble-voice responses for her Ely Cathedral Girls' Choir with the intention that they be "easy and stress-free" (especially for times when the students were busy with
These five unaccompanied pieces by Sarah MacDonald are useful as introits or short anthems throughout the church year. Although several can be attached to certain feasts, seasons, or occasions (Eastertide,
The familiar blessing, "May the road rise up to meet you" is set with great simplicity and grace. Perfect for a choral benediction or any occasion of farewell.
This anonymous 19th-century text, best known from Ned Rorem's classic motet, receives a flowing and lyrical accompanied setting by Sarah MacDonald based on one of her own hymn tunes. Various performance
This lively, sometimes humorous and often moving account of the musical life of both the English cathedral and the university chapel will be a pleasure for all to read. Drawn from Sarah's monthly essays
This folk-song setting of a famous poem by one of Scotland's greatest poets has been beautifully crafted by the Canadian-born composer Sarah McDonald. Accessible and artistically rewarding, it is suitable
This rousing English music-hall song was arranged for the hit television production of Agatha Christie's Why Didn't They Ask Evans? The song accompanies the final wedding scene and is full of joy