Imagine a blade smith in medieval times, working the forge as he heats the metal molten hot so he can hammer it into a beautiful knight's weapon. A brake drum simulates this sound, along with scrapes

Punctuated percussion statements fuel the pulsating energy of this descriptive piece. This programmatic work celebrates the grit and resolve of this resilient industrial community over the past century. The

This arrangement epitomizes John Henry's skill as a steel-drivin' man: strong, bold and full of energy and guts. Great teaching piece for stylization and historical context. With traditional harmonizations,

This modern concert overture treats the listener and performer to a myriad of styles and moods. The piece begins with a heavy, ponderous theme which depicts the limestone quarries that first earned Joliet

Brooding melodies that rise like mist over dark, churning chords give way to a warm, yearning section, returning for a rousing finish. The lush, romantic sound and the dramatic expressiveness thrill while

Ella Wheeler Wilcox's historical poem vividly describes impressions of a locomotive as if it were a living being of flesh and blood. With a quick-paced minor key setting, dynamic contrasts, and rhythmic

Bold and powerful melodic writing combined with strong percussion such as gong and brake drum make this a great original work for beginning band. All instruments get the melody and play a wide range of

The film scores of this remarkable composer are unique, bold, and unmistakable. This is not so much a medley of tunes as it is a tribute to his unique style and musical impact. Incorporating selections from

Originally written in 2017 for a small jazz combo, this piece has been brilliantly re-orchestrated here for four marimbists on two shared instruments, resulting in tighter rhythmic precision and a

The title refers to a worker who assisted a blacksmith with his craft, wielding a hammer and shaping iron to their will. The dark and harsh atmosphere is enhanced by percussive sounds of their demanding

Celebrate the beauty of Hawaii with this delightful 30-minute presentation. Hosted by Principal Peterson and Kumu Leilani, our cultural guide, the kids (any number) at this party not only sing and dance to

Why should the band have all the fun? This light-hearted Sousa-style march will help your beginning orchestra sound great and feel confident. Set in D major, this melody is constructed of interval jumps to

A double bass section feature! Using positions I-IV in the bass, the part sounds and looks harder than it really is, making your bass section look and sound great. Perfect for beginning bassists who are