Here's a chance to place your hard working bassist in the spotlight! Suitable for electric or acoustic bass, the solo part is completely written with chord symbols provided. There's an optional section for

This slow swing opens up with your bass player soloing (written or improved) for 12 bars before the band moves in with a cool, quiet, rich statement of the theme. Give your bass player a shot at this

Here is a beautiful trombone solo feature where you can combine forces with a string orchestra in this lush work for jazz ensemble, or jazz ensemble alone. The string orchestra can easily be replaced or

It's Been a Long Long Time - Harry James vocal big band chart. A beautiful ballad from the great co-operative writing team of Sammy Cahn & Jule Styne, this chart was made famous by Harry James

Now for the first time in print, this publication is based on Nelson Riddle's original set of parts used by Frank Sinatra for the 1956 session with Quincy Jones' modifications for the Live at the the Sands

This is one of a series of arrangements written by Nelson Riddle for Ella Fitzgerald focusing on the Gershwin songbook. These arrangements constitute some of the most famous settings of classic songs for

Perhaps no song is associated with Frank Sinatra more than this one! In Los Angeles on January 12, 1956 Frank Sinatra recorded Nelson Riddle's arrangement of Cole Porter's song, I've Got You Under My

Among the many arrangements that have been frequently requested by singers and enthusiasts, the music written for Frank Sinatra and the Count Basie Orchestra is high on the list. This original version was

Dissonance in Blues is a medium blues in E, featuring the bass, giving way to swinging ensemble writing and modern harmonies.

This contemporary Latin/funk piece is a marvelous feature for electric bass. A quiet, rather haunting theme is played by soprano or optional alto sax and high-register bass, plus solos for bass and/or

This is one of a series of arrangements written by Nelson Riddle for Ella Fitzgerald focusing on the Gershwin songbook. These arrangements constitute some of the most famous settings of classic songs for

Transcribed from the original Nelson Riddle arrangement, this chart is an out-and-out vocal feature as written for Ella Fitzgerald, with no instrumental chorus. The backing lines from the band are solid and

Transcribed from Julie London's 1961 album "Whatever Julie Wants," this is a very cool chart that switches effortlessly between swing and beguine feels. Overall the chart is relaxed, breezy and nicely