An intermediate solo in classical style, this concertino is the perfect vehicle to feature an up-and-coming student. It is pleasantly melodic with appealing sequences. It utilizes positions 1-6 (highest
A straightforward bit of Baroque writing for cello solo (optional double bass or bassoon solo) with string orchestra. Showcase an advanced player while introducing Baroque style accompaniment playing to
Movement 1 only. Printable PDFs of string orchestra accompaniment parts to the Bruch Violin Concerto; you no longer need winds in your orchestra! Feature your best students.
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Showcase your strong players in this arrangement that features solo quartet passages throughout. The music is exciting and engaging without overtaxing the rest of the ensemble, yet everyone remains
This vibrant work brings the sound and spirit of mariachi to the string orchestra! Feature principal players accompanied by strummed passages, catchy syncopated figures, and energetic melodies. The piece
This rhapsodic work by Italian composer Vittorio Monti was dedicated to the glamorous French violinist Juliette Dantin. It captures the melancholic, sweet, dramatic and vibrant elements of Gypsy music, and
An improvisatory work for solo oboe and string orchestra, this is very expressive and allows a lot of freedom for interpretation. Technical issues, besides some range demands, are only moderately
This Grade 1 feature for cello and bass is loosely based on the traditional Lightly Row theme. Written in ABA form, it is played pizzicato throughout and is set in A minor. The B section features
The harmonic beauty and seamless polyphony of Bach's second Brandenburg Concerto has been retained in this very true string orchestra adaptation of the original. Wind solos are given to principal violin,
Inspired by a photo of a ghostly, forgotten ballroom in Shanghai, Phantom Waltz is a melancholy echo of the past. This 6/8 piece features two solo cellos, melodramatic melodies,...
Take out the castanets because the violas are taking the stage, Spanish style! It begins in a paso doble reminiscent of a vigorous Spanish guitar solo, then moves into a major-key allegretto where the